Showing posts with label adolescence. Show all posts
Showing posts with label adolescence. Show all posts

Wednesday, September 26, 2012

Flashbacks of a Fool Review

Flashbacks of a Fool
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Films of reflection are too few and often they resort to tales of climbing to a summit only to gaze back at the shadows never cast in the greedy race for the top and end in tragedy. FLASHBACKS OF A FOOL suggests, by its title, that the story may be different, that there may be some redemption at the core of an abusive life.
Writer/director Baillie Walsh sets his story in opening frames of intense sexual, drug accompanied debauchery. But as the credits fade, the lead character Joe Scott (Daniel Craig) faces a morning of hung over reality. A wealthy Hollywood star whose lifestyle has hastened his aging, Joe is 'managed' by the stern Ophelia (Eve) who is tiring of Joe's wasted lifestyle. Her warnings, as well as Joe's agent's confrontation that Joe is too old looking for a new screenplay, is compounded by a telephone call that Joe's boyhood friend Boots (Max Deacon) has suddenly died, leaving Joe's old first girlfriend Ruth (Claire Forlani) an early widow. Depressed and drunk Joe walks his beach and reflects on his youth. The 'flashback' tales us to Joe's teenage years (the young Joe is Harry Eden) with Boots as his closest friend and Ruth (Felicity Jones), the girl Joe craves. But hormones rule and Joe is an easy prey for his married next door neighbor: during one of their trysts a tragedy occurs that results in Joe's fleeing home for the 'successful' yet empty life he finds in Hollywood.
At the request of Joe's mother (Olivia Williams) he flies back to England where he is forced to confront the early damage he caused in the lives of his family and friends. Daniel Craig and Harry Eden are excellent in their mirrored roles of the young and the older Joe. In fact there is not a weak member of this fine British cast. Though the story takes place in England the film was shot in South Africa (cinematographer John Mathieson) and the rickety beach houses on the small bay where Boots and Joe spend their time is picturesque and adds the right sense of isolation to the story. At 114 minutes the film goes on a bit too long with areas for editing a bit too obvious. But the overall effect of FLASHBACKS OF A FOOL is a satisfying journey through a memory that holds a light to the incidents of youth that can alter too many lives if not mended. Grady Harp, November 08

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Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe flashes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man’s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.

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Friday, April 8, 2011

Let The Right One In Review

Let The Right One In
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Do not buy this movie yet. Magnolia butchered the subtitles and will be releasing a version with the theatrical subtitles in the near future. Magnolia will not replace this disc with the fixed one, so hold off on your purchase. You will know the correct version when you see "subtitles: English (theatrical release)" in the specs on the back.

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Oscar, a 12-year-old fragile and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl he befriends, who moves into his building. When Oscar discovers that Eli is a vampire it does not deter his increasing feelings and confused emotions of a young adolescent. When Eli loses the man who protects and provides for her, and as suspicions are mounting from her neighbors and police she must move on to stay alive. However when Oscar faces his darkest hour, Eli returns to defend him the only way she can.

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Monday, March 14, 2011

The Kids Are All Right (2010) Review

The Kids Are All Right (2010)
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The Kids Are All Right is a thoroughly entertaining slice-of-life domestic drama about two kids who look up their sperm-donor father, causing cataclysmic changes in the family dynamic. Not a unique premise save that the parents of the kids happen to be lesbians.
The entire cause célèbre for this film is to show straight America how "normal" gay families are and that they shouldn't be afraid of "gay marriage" or "gay parenting," thus it doesn't delve too deep or wander too far off topic. Political film making is a tricky business. You'll remember the Tom Hanks drama Philadelphia was maligned by the LGBT activist fringe for all the issues it didn't address; to which my answer has always been: it's a two hour film, if you add too many spicy issues you're left with an unpalatable polemic.
The script and direction by Lisa Cholodenko (High Art) are tight, well focused and only occasionally heavy-handed. Her characters are fresh, while being stereotypically familiar to pre-conditioned movie-goers. These are folks we know, people we work with and/or live in our neighborhood: "normal" people. Is it perfect? No; there an almost fatally flawed plot contrivance that seems only there to provide the filmmaker an all too easy source of conflict.
What elevates the film above the run-of-mill movie-of-the-week domestic drama is the acting. Annette Benning is staggeringly good as the head of her household - the alpha female in this case. Her performance is embarrassingly rich; she presents a myriad of conflicting emotions, each one immediately recognizable, true and never over played. Julianne Moore turns in a lovely portrait of the less-successful, less self-assured partner. Mark Ruffalo is a revelation as a forty-something man finally approaching adulthood; a free-spirit, still capable of making disastrously foolish decisions in his pursuit to find personal fulfillment. Mia Wasikowska and Josh Hutcherson are always on target as the kids, conveying the perfect blend of angst and innocence.

Just as they did with Juno and Little Miss Sunshine, the film community is falling all over themselves hyping this. Like those films, The Kids Are All Right is an entertaining, socially relevant effort and deserving of quantified praise; but don't be mislead, it's not Citizen Kane.

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Academy Award® nominees Annette Bening and Julianne Moore star in this funny, smart and vibrant portrait of a modern American family. Nic (Bening) and Jules (Moore) are your average suburban couple raising their two teens, Joni (Mia Wasikowska) and Laser (Josh Hutcherson), in Southern California. But when the kids secretly trackdown their “donor dad,” Paul (Mark Ruffalo), an unexpected new chapter begins for everyone as family ties are defined, re-defined and then re-re-defined. Fall in love with the big-hearted comedy that critics are calling “one of the best films of the year!”(Michael Phillips, At the Movies)

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