Showing posts with label alfred hitchcock. Show all posts
Showing posts with label alfred hitchcock. Show all posts

Monday, December 24, 2012

Alfred Hitchcock Premiere Collection (Lifeboat / Spellbound / Notorious / The Paradine Case / Sabotage / Young and Innocent / Rebecca / The Lodger) Review

Alfred Hitchcock Premiere Collection (Lifeboat / Spellbound / Notorious / The Paradine Case / Sabotage / Young and Innocent / Rebecca / The Lodger)
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This is a fantasic set, featuring some of the best transfers I've seen and some great new extras... however, it's becoming clear that MGM needs to recall this set a.s.a.p. In the set I bought, three of the discs refuse to play completely in my standalone DVD player, and the other jitter and jump occasionally.
I run the Alfred Hitchcock Wiki site and I've received dozens of emails and messages from people who've bought the set and are unable to play one or more of the discs. Clearly whoever handled the physical manufacturing of the DVDs has foobar'd big time.
Ideally I'd have given this set 5 stars but, under the cirmcustances, I've got to say "buyer beware" and that you should wait for MGM to recall the set.

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Bonus Features: Disc 1: The LifeboatDisc 2: Young and Innocent **Commentary with film historians Stephen Rebello and Bill Krohn **Isolated Music and Effects Track **Peter Bogdanovich Interviews Hitchcock **Francois Truffant Interviews Hitchcock **Restoration Comparison **Trailers **Still GalleriesDisc 3: The Lodger **Commentary with film Historian Patrick McGilligan **Featurette The Sound of Silence: The making of The Lodger, Hitchcock 101 **1940 Radio Play Directed by Alfred Hitchcock **Peter Bogdanovich Interviews Hitchcock **Francois Truffaut Interviews Hitchcock **Restoration Comparison **Trailers **Still Gallery Disc 4: Notorious Disc 5: Rebecca CEDisc 6: Sabatoge **Commentary with film Historian Leonard Leff **Peter Bogdanovich Interviews Hitchcock **Restoration Comparison **Still Gallery **Trailer FarmDisc 7: SpellboundDisc 8: The Paradine Case **Commentary with film Historians Stephen Rebello and Bill Krohn **Isolated Music and Effects Track **1949 Radio Play starring Joseph Cotton **Peter Bogdanovich Interviews Hitchcock **Restoration Comparison **Theatrical Trailer **Still Gallery **Trailer FarmEpisode Description: Disc 1: The Lifeboat Disc 2: Young and Innocent Disc 3: The Lodger Disc 4: Notorious Disc 5: Rebecca CE Disc 6: Sabatoge Disc 7: Spellbound Disc 8: The Paradine Case

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Saturday, April 21, 2012

Alfred Hitchcock - The Masterpiece Collection Review

Alfred Hitchcock - The Masterpiece Collection
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There are both pros and cons to this remastered/rereleased Hitchcock boxed set. The pros are that all have been remastered (all of them were anamorphic despite what other reviews have stated except for the first edition of "Vertigo" on DVD--read the boxes of the original releases or better yet watch them)and the remastering job has resulted in colors being bolder in many cases (Do a comparison as I did)with images being crisper and with slightly better resolution. There is an exception to this--"The Man Who Knew Too Much" actually looks worse than the previous release. While colors are good the image clarity and detail are off. I'm not exactly sure what happened here but it must have been during the Telecine transfer process from film to video (and then DVD). This is based on a head-to-head comparison with the other edition of the film and isn't based on a bad DVD. Instead, it's related to the transfer not being quite as good for this new updated version. So if "Man" is one of your favorites I'd advise you to keep the previous DVD. Also, there's no paper inserts with chapter stops listed as on previous editions. Also, a couple of films didn't have a huge difference but they were still noticeable for the most part.
The DVDs are housed four to a DVD "book" with two on each side one on top of the other. I know what you're thinking--they'll get scratched--but I didn't notice any potential for that. Still, you'll need to be careful taking them out and putting them in and these holders are not as secure as the individual keep cases. Each cover is decorated with images from the original posters for each movie overlapping each other.
Extras are exactly the same as the original releases for each disc. "The Making of Psycho" and "All About 'The Birds'" which were on the original discs themselves have been relocated to the bonus discs. There's also three new bonuses included. The first is a 15 minute excerpt from the AFI tribute focusing primarily on Hitch's droll comments when he accepted the Lifetime Achievement Award. I've long wanted to have this on DVD but do wish that Universal had licensed the entire AFI tribute as it was a charming and worthwhile evening. The second extra is a 30 minute interview featuring Pia Lindstrom and William K. Everson and is a vintage videotape interview with Hitchcock from the 70's. It's quite a revealing interview with Hitchcock charming the hosts as usual. He discusses quite frankly his likes (pre-production) and dislikes (method actors like Montgomery Clift). The third bonus is a 36 page booklet that, like the booklet that came with "Jaws", is hardly essential. It does include credits for each movie, some photos and brief comments about each film. It'll be something you might look at once or twice.
The box itself has a crushed velvet exterior and is quite attractive. The cover has a door that slides into the box to access the movies. So the pros are better transfers for most of the films. If you don't have all of Hitch's movies on DVD yet, this is a great deal. The new extras aren't worth the price of admission if you don't already have all of these and while they look better, the difference may not be all that striking to you. With the release of Hitch's TV show and other new stuff coming out, it's a matter of spending where one can.
I gave this set 4 stars for two reasons; 1) There are a number of so-so Hitchcock films in this set ("Torn Curtain", "Topaz", "Marnie" which is one that, despite Robin Wood's absurd arguments to the contrary, I find to be substandard Hitchcock and the enjoyable but light "Family Plot"). 2)"The Man Who Knew Too Much" should look BETTER than the previous edition but, in fact, looks a bit worse for the wear with less clarity and definition. 3)While we do some some new extras they are slim pickings. I would have loved to get more commentary tracks on these classic films from Hilton Green (Assistant Director on "Psycho" and a number of Hitch's TV episodes), Bruce Dern or Karen Black (on "Family Plot") and others on the important films.
Some of Hitch's finest films are here "Vertigo", "Rear Window", "The Man Who Knew Too Much", "The Trouble With Harry" (an acquired taste), "Psycho", "Shadow of a Doubt", "Sabotage", "Frenzy", etc but also some of his weaker thrillers as well. It's a good concise and inexpensive way to get them all.

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14 of the finest works from the universally acclaimed Master of Suspense come together for the first time in one collection. These captivating landmark films boast three decades of Hollywood legends, including James Stewart, Grace Kelly, Anthony Perkins, Sean Connery and Doris Day. The premium packaging and collectible book make Alfred Hitchcock: The Masterpiece Collection the must-own, definitive anthology of gripping works by a true genius.

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Wednesday, January 4, 2012

Once Upon a Time in America (1984) Review

Once Upon a Time in America  (1984)
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Okay, a four hour gangster movie is not going to be everyone's cup of tea, especially when the pacing is absolutely glacial and DeNiro and Woods aren't on-screen for about half that time because of a childhood flashback that's longer than some full movies. But, if you take this movie on the terms director Sergio Leone sets, it's a richly rewarding cinemeatic experience. I've heard the film described as "an opium dream of a gangster movie" and the pacing seems to justify such a response. But it's slow and richly detailed, and a little odd at times, for very good reasons that pay off in spades by the film's emotionally titanic (though slightly anti-climactic} finale.
Despite what can seem like turgidness on first viewing, this film is likely to stick to your ribs and merit repeat screenings. DeNiro smolders throughout, while James Woods delivers a teriffic scenery-chewing performance. The story is friendship (and betrayal, of course)--or is it Romulus and Remus? Greek tragedy, perhaps? Godfather parts 1 and 2 rolled into one film? Yes, and more. And viewers familliar with Leone only through his spagetti westerns are in for a surprise: Leone is a world-class film-maker here, capable of stunning beauty and cruelty, often within the same frame.
Does it really need to be this slow? Does the flashback to childhood need to be almost and hour and a half long (don't worry--it's absorbing enough in its own right to keep you from noticing)? Does the the chronology need to be so screwy? Does that darn phone need to ring so long? Absolutely.

Fans of Woods, DeNiro, Leone, or gangster movies in general canot afford to pass this film up. The supporting cast, especially the young actors playing the gang members in thier childhood, is also consistently stellar. Best viewed on a cold wintry afternoon when you've got plenty of time. Opium not provided.

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Studio: Warner Home VideoRelease Date: 01/11/2011Run time: 229 minutesRating: R

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Friday, November 11, 2011

Vertigo (Collector's Edition) (1958) Review

Vertigo (Collector's Edition) (1958)
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Vertigo is one of those films that is so good, no one at the time of release is able to appreciate it. It was dismissed by critics, ignored by audiences and, to my knowledge, didn't win a single Academy Award (this last part isn't shocking -- Citizen Kane didn't win Best Picture). It's interesting that the reputation of this film seems to have grown substantially since the public found out more about Alfred Hitchcock's private life. For example, Scottie Ferguson's obsession with Kim Novak mirrors Hitch's own obsession with beautiful blondes, most notably Grace Kelly. Actors often bare their souls to the world, but very rarely are we aware when a director bares his/her soul. Those who dismiss Hitchcock as just a taskmaster director of suspense films should study Vertigo. He is essentially dealing with his own weaknesses and inner demons on film.
Vertigo also contains two great performances -- those of James Stewart and Kim Novak. Stewart reveals a dark side that might shock those who just know him from Mr. Smith Goes to Washington and It's a Wonderful Life. He is completely believeable as a man (Hitchcock's alter ego) who is consumed by obsession. Likewise Kim Novak is wonderful and totally convincing as Madeline/Judy. Vera Miles (Lila Crane in Psycho) was originally cast, but it's hard to see anyone else but Kim Novak in the role. She is utterly convincing as the distant, aristocratic Madeline AND as the earthy working class girl Judy. I can't think of many actresses who could be so effective in both roles. Grace Kelly, for example, might have been able to pull off Madeline, but probably would have been laughable as Judy. It's too bad more directors couldn't see past Novak's sex kitten image and cast her in more substantial roles.
In case you couldn't guess, I highly recommend this DVD. The documentary about the restoration of the film is very interesting and makes you realize what a job it is to restore a film. The DVD edition also includes an ending that was only on the foreign release prints. This edition does Hitchcock's masterpiece all the justice it deserves and then some.
(An additional note: I live in the San Francisco Area and have visited many of the locations featured in the film, including Madeline's apartment, Muir Woods, Mission Delores, The Palace of the Legion of Honor and Fort Point. Just to clarify for those of you who might be wondering: (1) there is no portrait of Carlotta at the Palace of the Legion of Honor and (2) there are no stairs leading down to the water at Fort Point -- the stairs were an in-studio shot that enabled James Stewart to more easily fish Kim Novak out of San Francisco Bay.)

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Considered by many to be director Alfred Hitchcock's greatest achievement, Leonard Maltin gives Vertigo four stars, hailing it as "A genuinely great motion picture."Set among San Francisco's renown landmarks, James Stewart is brilliant as Scottie Ferguson, an acrophobic detective hired to shadow a friend's suicidal wife, Madeleine (Kim Novak).After he saves her from drowning in the bay, Scottie's interest shifts from business to fascination with the icy, alluring blonde.When he finds another woman remarkably like his lost love, the now obsessed detective must unravel the secrets of the past to find the key to his future.

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Tuesday, August 9, 2011

Rear Window (Collector's Edition) (1954) Review

Rear Window (Collector's Edition) (1954)
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The last few years have seen some classic films that have been given back their old lustre via restoration, including such films as, My Fair Lady, Vertigo, Lawrence Of Arabia to name just a few. These films as well as this film have been restored by the restoration mavericks Robert A. Harris, and James Katz.
I must say after seeing an advance copy of this film that Rear Window looks incredible, especially compared to the Laser Disc copy I have as well as the poor copies that have been showing up on television and VHS over the years.
The colors are vibrant, in particular the reds which don't give a hint of bleeding into the frame, and the image looks I imagine as close to the original as possible given the fact that this film is almost fifty years old now.
The aspect ratio is 1.66:1 which is the proper framing for this film, the sound is the original mono soundtrack and has been scrubbed up to remove any audio imperfections that have built up over the years.
Also included on this disc is a 55 minute documentary titled, Rear Window Ethics:Remembering a Hitchock Classic which is quite enjoyable.
There is a still frame gallery, a shorter documentary with the screenwriter John Michael Hayes, as well as the standard fare of biographies, filomgraphies etc.
All in all a quite impressive package and should be of interest to any Hitchcock fan as well as Cinema fans in general.

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None of Hitchcock's films has ever given a clearer view of his genius for suspense than Rear Window.When professional photographer J.B. "Jeff" Jeffries (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbors play out across the courtyard.When he suspects a salesman may have murdered his nagging wife, Jeffries enlists the help of his glamorous socialite girlfriend (Grace Kelly) to investigate the highly suspicious chain of events… Events that ultimately lead to one of the most memorable and gripping endings in all of film history.

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