Showing posts with label james stewart. Show all posts
Showing posts with label james stewart. Show all posts

Tuesday, December 6, 2011

It's a Wonderful Life (1946) Review

It's a Wonderful Life  (1946)
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Rather than review the content of this almost universally beloved film, I'm just going to comment about the quality of the 2006 60th Anniversary Edition DVD itself. I've since written an updated review about a new edition of this title, now available in a "Two-Disc Collector's Set." Please find that review -- which was posted on December 13, 2008. (Amazon has posted my 2006 review in both places -- even though the "60th Anniversary Edition" DVD is DIFFERENT from the "Two-Disc Collector's Set". Read my write-up for the "Two-Disc Collector's Set" -- again, it's DATED 2008 and too early to rank among the "most helpful" reviews -- to better decide which product you prefer.)
I've owned nearly every version of this title in almost every format available on home video during the past 25 years. It's true that the CONTENT of this Viacom/Paramount DVD -- including its special features -- is identical to the Republic Pictures Home Video release more than 10 years ago.
However, this 60th Anniversary edition is spectacular for several different and extremely important reasons. (I'll address the criticisms some people have leveled about the sound on this 2006 DVD in a little bit, so stick with me.)
You don't have to be a technical expert to immediately notice the striking improvement of the picture AND sound in this 2006 edition. The print is crystal-clear and in my view, has more vividness and sharpness than ALL other previous releases of this title on home video.
Proof? I put my "old" THX-version DVD issued by Republic Pictures / Artisan Home Video (the former DVD gold standard for this title) -- into my Sony multi-changer DVD player -- and watched and listened to every frame of this film AND its special features. I stopped and started this "older" DVD in several spots -- and stopped and started the new 2006 Paramount edition repeatedly -- so I could compare quality almost "side-by-side."
Hands down -- this 2006 version is fabulous. The spots and dirt have been wiped clean, the sharpness and contrast are arguably better than what film audiences saw 60 years ago. There are no ragged spots, no jumped frames and no lint, fiber or hair fragments along the edges or jumping across the screen. I believe the technicians at Paramount (which acquired Republic Pictures Home Video) -- digitally cleaned EVERY frame of the last DVD release -- so that the film now looks like a million dollars. It's almost too pristine, if there is such a thing. No jump cuts, no "jump ahead" sound breaks, no fogged-out scenes, nothing ragged -- with the result being the cleanest and purest version of "It's A Wonderful Life" ever issued in home video history.
It gets better. English subtitles were available on older DVD versions of this title, but the 2006 version has a cleaner typeface, wiping out some of the confusing and unnecessary attributions of "who's saying what" that were disruptive to some hearing-impaired viewers. In this 2006 version, you'll get a mostly straight, line-by-line reading of what's being said -- as it's being said.
Meanwhile, the DVD's special features -- which include the same pair of documentaries produced in 1990 and 1991 -- are identical in that they were shot on video tape hence there isn't much improvement in picture quality. However, subtitles that WERE NOT available for these special features -- are NOW available in this 2006 edition. The only "extra" to the previous "gold standard" that remains unchanged -- is the original 1946 trailer. Subtitles are not available and it has the same raggedness and dirt commonly seen with vintage trailers stored separately from the films they used to advertise.
I'm highly critical of re-issued DVDs that seem nothing more than an excuse to squeeze more dollars out of buyers for the same material with new packaging. But this 2006 Paramount DVD version of "It's A Wonderful Life" is the best to date. It is NOT in color. (I own a colorized version for younger people who can't stand black-and-white. Despite controversy surrounding colorization, know that the 2007 "Two-Disc Collector's Set" has the same 2006 60th Anniversary black-and-white edition you see here -- plus a new "colorized" version. This version uses the same pristine print -- but has the added bonus of boasting the best "color" hues ever seen for this film, using the latest image technology available. Despite my preference for black-and-white, the quality of this new colorized version is impressive.)
Meanwhile, let's address the criticisms about the sound on this new DVD. Go back a little bit. Much was made when Republic Pictures Home Video got the THX LucasFilm sound system seal of approval for "It's A Wonderful Life" during the 1990s. But it was still two-channel mono with negligible equalization of sound effects. In this 2006 DVD, you'll get consistent two-channel mono and decent sound equalization to minimize "booming" and over-modulated portions in the film. In the old versions, you had to turn down the volume a notch during the musical portions -- and turn it back up when the dialogue came back. It's a nit-pick, but you really notice the difference if you're crazy enough to do a side-by-side comparison like I did.
As for the digital sound "pops" that perfectionists keep bringing up -- they're right. They're even in the spots noted by another fine reviewer who listed time codes where you can find them. But in my view, unless you brace yourselves for them to arrive like a booming train -- unless you purposely crank up your speakers to carry sound throughout your house -- yeah, you "might" be annoyed if you demand the same perfection for a film made in 1946 as you would for a film made in 2006. Honestly, the disproportionate attention given to these digital "pops" is, in my view, giving fence-sitters the impression that they're supersonic cracks of lightning that will make people jump out of their seats. I didn't twitch at all. They almost "blended" into the 60-year-old soundtrack. Yes, I know they're digital defects, but do you remember the zillion "pops" scattered throughout dirty prints of "It's A Wonderful Life" with filthy optical soundtracks? The audio on this 2006 DVD still wins. You have EVERY RIGHT to demand perfection for your dollars. But as a person who's more fastidious than average -- I don't believe most buyers will care about a few "pops" in a film that's this old. Combine the overall improvements with the relatively low cost of this DVD -- and I still say this is the BEST experience of "It's A Wonderful Life" I've ever SEEN and HEARD on home video.
Finally, another reason to buy this DVD. It's old news to some, but it's not widely known that this version of "It's A Wonderful Life" can only be broadcast by NBC. It used to air a zillion times during the holidays on every TV station on earth. It was a quick way to get tired of even a super film you think you know by heart. But Viacom/Paramount now owns this version of "It's A Wonderful Life" outright and NBC has exclusive licensing rights to air it just once or twice after Thanksgiving. This is a good thing for future generations to appreciate.
So junk the old, buy this version and be happy. It may feel painful, but it's worth it. And no, I DON'T work for Amazon OR for Paramount Home Video.

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George Bailey has so many problems he is thinking about ending it all – and it’s Christmas! As the angels discuss George, we see his life in flashback. As George is about to jump from a bridge, he ends up rescuing his guardian angel, Clarence. Clarence then shows George what his town would have looked like if it hadn’t been for all of his good deeds over the years. Will Clarence be able to convince George to return to his family and forget suicide?

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Friday, November 11, 2011

Vertigo (Collector's Edition) (1958) Review

Vertigo (Collector's Edition) (1958)
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Vertigo is one of those films that is so good, no one at the time of release is able to appreciate it. It was dismissed by critics, ignored by audiences and, to my knowledge, didn't win a single Academy Award (this last part isn't shocking -- Citizen Kane didn't win Best Picture). It's interesting that the reputation of this film seems to have grown substantially since the public found out more about Alfred Hitchcock's private life. For example, Scottie Ferguson's obsession with Kim Novak mirrors Hitch's own obsession with beautiful blondes, most notably Grace Kelly. Actors often bare their souls to the world, but very rarely are we aware when a director bares his/her soul. Those who dismiss Hitchcock as just a taskmaster director of suspense films should study Vertigo. He is essentially dealing with his own weaknesses and inner demons on film.
Vertigo also contains two great performances -- those of James Stewart and Kim Novak. Stewart reveals a dark side that might shock those who just know him from Mr. Smith Goes to Washington and It's a Wonderful Life. He is completely believeable as a man (Hitchcock's alter ego) who is consumed by obsession. Likewise Kim Novak is wonderful and totally convincing as Madeline/Judy. Vera Miles (Lila Crane in Psycho) was originally cast, but it's hard to see anyone else but Kim Novak in the role. She is utterly convincing as the distant, aristocratic Madeline AND as the earthy working class girl Judy. I can't think of many actresses who could be so effective in both roles. Grace Kelly, for example, might have been able to pull off Madeline, but probably would have been laughable as Judy. It's too bad more directors couldn't see past Novak's sex kitten image and cast her in more substantial roles.
In case you couldn't guess, I highly recommend this DVD. The documentary about the restoration of the film is very interesting and makes you realize what a job it is to restore a film. The DVD edition also includes an ending that was only on the foreign release prints. This edition does Hitchcock's masterpiece all the justice it deserves and then some.
(An additional note: I live in the San Francisco Area and have visited many of the locations featured in the film, including Madeline's apartment, Muir Woods, Mission Delores, The Palace of the Legion of Honor and Fort Point. Just to clarify for those of you who might be wondering: (1) there is no portrait of Carlotta at the Palace of the Legion of Honor and (2) there are no stairs leading down to the water at Fort Point -- the stairs were an in-studio shot that enabled James Stewart to more easily fish Kim Novak out of San Francisco Bay.)

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Considered by many to be director Alfred Hitchcock's greatest achievement, Leonard Maltin gives Vertigo four stars, hailing it as "A genuinely great motion picture."Set among San Francisco's renown landmarks, James Stewart is brilliant as Scottie Ferguson, an acrophobic detective hired to shadow a friend's suicidal wife, Madeleine (Kim Novak).After he saves her from drowning in the bay, Scottie's interest shifts from business to fascination with the icy, alluring blonde.When he finds another woman remarkably like his lost love, the now obsessed detective must unravel the secrets of the past to find the key to his future.

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Tuesday, August 9, 2011

Rear Window (Collector's Edition) (1954) Review

Rear Window (Collector's Edition) (1954)
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The last few years have seen some classic films that have been given back their old lustre via restoration, including such films as, My Fair Lady, Vertigo, Lawrence Of Arabia to name just a few. These films as well as this film have been restored by the restoration mavericks Robert A. Harris, and James Katz.
I must say after seeing an advance copy of this film that Rear Window looks incredible, especially compared to the Laser Disc copy I have as well as the poor copies that have been showing up on television and VHS over the years.
The colors are vibrant, in particular the reds which don't give a hint of bleeding into the frame, and the image looks I imagine as close to the original as possible given the fact that this film is almost fifty years old now.
The aspect ratio is 1.66:1 which is the proper framing for this film, the sound is the original mono soundtrack and has been scrubbed up to remove any audio imperfections that have built up over the years.
Also included on this disc is a 55 minute documentary titled, Rear Window Ethics:Remembering a Hitchock Classic which is quite enjoyable.
There is a still frame gallery, a shorter documentary with the screenwriter John Michael Hayes, as well as the standard fare of biographies, filomgraphies etc.
All in all a quite impressive package and should be of interest to any Hitchcock fan as well as Cinema fans in general.

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None of Hitchcock's films has ever given a clearer view of his genius for suspense than Rear Window.When professional photographer J.B. "Jeff" Jeffries (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbors play out across the courtyard.When he suspects a salesman may have murdered his nagging wife, Jeffries enlists the help of his glamorous socialite girlfriend (Grace Kelly) to investigate the highly suspicious chain of events… Events that ultimately lead to one of the most memorable and gripping endings in all of film history.

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Thursday, June 2, 2011

TCM Greatest Classic Films Collection: Romantic Comedies (Adam's Rib / Woman of the Year / The Philadelphia Story / Bringing Up Baby) (2009) Review

TCM Greatest Classic Films Collection: Romantic Comedies (Adam's Rib / Woman of the Year / The Philadelphia Story / Bringing Up Baby) (2009)
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This is one of 27 sets of four movie packs that Warner Home Video plans to release in the next few years. Their purpose is to introduce classic film to people previously unaware of these films via very affordable bare bones versions of these movies. This set has four very good films, all featuring Katharine Hepburn.
Woman of the Year (1941) - The film that introduced Katharine Hepburn and Spencer Tracy and sparked a long relationship both on and offscreen. Here Hepburn plays an early feminist who goes around collecting causes. Spencer Tracy is the sportswriter that loves her. They marry, but things go downhill quickly since Kate is really already married to her causes.
Adam's Rib (1951) - Ten years have passed and Hepburn and Tracy have aged a bit, but the spark and the chemistry is still there. This time the pair are married lawyers. He is a prosecutor and she a defense attorney. Problems arise when Hepburn defends a woman who shot her husband when she caught him cheating on her and Tracy is the prosecuting attorney in the same case.
Bringing Up Baby (1938) - One of the original screwball comedies. Stars Cary Grant as an anthropologist who gets mixed up with a very dizzy young woman played by Hepburn. The plot involves a tame leopard - Baby - and a dinosaur bone buried by a dog - the exact whereabouts are unknown.
The Philadelphia Story (1940) - Reteams Katharine Hepburn and Cary Grant as a divorced pair of socialites. Hepburn's character is about to marry a man of the people who pulled himself up by his bootstraps, and also happens to be one of the most annoying people who has ever lived. James Stewart oddly won a Best Actor award for what is essentially a supporting role. It is especially odd when you think about all of the other great performances in which he was the undisputed lead and he wasn't even nominated.
The only drawback to this set is that - if you want all the extras - you might want to consider Classic Comedies Collection (Bringing Up Baby / The Philadelphia Story Two-Disc Special Edition / Dinner at Eight / Libeled Lady / Stage Door / To Be or Not to Be) in the case of Bringing Up Baby and The Philadelphia Story. Hepburn and Tracy fans might want to consider The Hepburn & Tracy Signature Collection (Woman of the Year / Pat and Mike / Adam's Rib / The Spencer Tracy Legacy). However, both of these sets are considerably more expensive than this basic four-pack, and low cost is really the point of this set in the first place.

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THE PHILADELPHIA STORY Katharine Hepburn, Cary Grant and Best Actor Academy Award winner James Stewart star in the tale of a faultfinding, bride-to-be socialite who gets her come-uppance. George Cukor directs this screen pinnacle of sophisticated romantic comedy.BRINGING UP BABY When scatterbrained heiress Katharine Hepburn meets mild-mannered museum curator Cary Grant, the results are riotous. Howard Hawks directs a giddy romp thats been hailed as the most glorious laughter-inducing movie ever!ADAMS RIB Spencer Tracy and Katharine Hepburn play a married prosecutor and defense attorney assigned to the same sensational attempted-murder trial in this clever courtroom battle of the sexes. Judy Holliday co-stars and George Cukor directs.WOMAN OF THE YEAR Spencer Tracy and Katharine Hepburn show what chemistry is all about as George Stevens directs this witty Oscar winner about the bumpy romance of a meat-and-potatoes sportswriter and a world-renowned political pundit.

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