Showing posts with label amanda bynes. Show all posts
Showing posts with label amanda bynes. Show all posts

Wednesday, February 8, 2012

Sydney White (Widescreen Edition) (2007) Review

Sydney White (Widescreen Edition) (2007)
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Combine Snow White, Animal House and Revenge of The Nerds and you have Syndey White.
This modern retelling fairytale of Snow White. It follows a beautiful college freshman Syndey White (played by Amanda Bynes) as she pledges her late mother's sorority. But after discovering that today's sisterhood is not what it used to be, Sydney makes new home away from home with seven nerdy outcasts. With the help of her new friends, Sydney will take on Rachel, the reigning campus queen (Sara Paxton) to attempt to transform the school's misguided social hierarchy
Bynes is great with her cheerleading style. The film is a cute send up with a Revenge of the Nerds twist.
It is cute for an evening entertainment
Bennet Pomerantz Audioworld

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America's sweetheart Amanda Bynes stars in the fun comedy Sydney White! When tomboy Sydney (Bynes) is banished from the most popular sorority on campus, she is taken in by seven socially challenged but endearing guys. With the help of her new friends, Sydney stands up for outcasts everywhere and takes on the reigning campus queen in a popularity showdown!But can she succeed and also win the heart of gorgeous frat guy Tyler Prince? You'll love this hilarious and sweet age-old story with a charming modern-day twist!

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Wednesday, January 11, 2012

Hairspray (Two-Disc Shake & Shimmy Edition) (2007) Review

Hairspray (Two-Disc Shake and Shimmy Edition) (2007)
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`Hairspray' is a non-stop, exhilarating song and dance extravaganza. This exuberant remake of the John Waters' musical is funny, fast, and fabulous. Adam Shankman's direction is appropriately lilting in the right measure, but balanced with social commentary highlights. Unlike 'Dreamgirls,' there are no Oscar worthy performances, but the production is so fun there doesn't have to be. The entertainment is winning on every level, and, as for the songs, it never goes limp.
Once again we are transported to the early sixties in Baltimore, where flannel is uniform, Blacks and Whites are segregated, and beehives are in fashion. The plot is fairly simple: Overweight teen Tracy Turnblad (Nikki Blonsky) wants to break the mold on her favorite TV program "The Corny Collins Show" (an "American Bandstand"-like feature) while discovering a more urgent need to end segregation on a show that only sometimes features "Negro Night". She gets her big break when teen singing sensation, Link Larkin (Zac Efron) makes advances that bring her to the stage floor. In the meantime, her success is challenged by the show's program manager, (played with overbearing skill by Michelle Pfeiffer) and her daughter, Amber, the show's reigning "Miss Teenage Hairspray," a nasty nemesis . Joining forces with her Afro-American friends, especially Motormouth Maybelle (Queen Latifah) and dancer Seaweed (Elijah Kelly), she works for equal time on the dance floor.
`Hairspray' is set as perfect entertainment. John Travolta provides likable loopiness as Nikki's mother while he dances and cross-dresses his way into our hearts. The villains are nasty enough, and the sweetness pervades even amongst important demonstrations on key social issues. When it all comes down to balance, 'Hairspray' fills the bill.

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It's 1962, and change is in the air in Baltimore. Tracy Turnblad, a big girl with big hair and an even bigger heart, has only one passion--to dance. She wins a spot on the local TV dance program, "The Corny Collins Show" and is transformed overnight from outsider to irrepressible teen celebrity. But can the trendsetting Tracy win the heart of teen-dream Link Larkin and stand up for what she believes in, despite the program's scheming stage manager? All she needs is her best friend Penny, a toe- tappin' beat - and a little HAIRSPRAY!

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Wednesday, September 21, 2011

Robots (Widescreen Edition) (2005) Review

Robots (Widescreen Edition) (2005)
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As reviewers, it's natural for us to compare an artist's work to his/her previous album, movie, book, etc. In this case, it becomes "natural" to compare "Robots" to the previous animated hit by Fox, "Ice Age". If we do this, "Robots" comes out lacking against its frozen predecessor. It is not as novel in terms of its intent and also the script is not as powerful (perhaps because it's also tougher to relate to inanimate beings such as robots, than it is to relate to animals or humans). But still, it is a funny (though predictable) movie, with touching moments and plenty of excitement all through it. I particularly enjoyed the ride that Rodney is put through when he arrives in Robot City, in order to get to the headquarters of Big Weld, where he dreams of working.
The humor can be argued to be more adult-oriented, but still with proper supervision, I totally see it being fit for children. The fact that our 18-month old was jumping out of his seat halfway through the movie is more the result of him being hyper than the movie not being fit for children. Now I admit this is no "Finding Nemo" (which keeps him entertained all through it, time and again). So, bottom line, while not as good as or innovative as "Ice Age" and without a very powerful storyline and groundbreaking animation as "Nemo" got us used to, "Robots" is still a funny movie worth checking out.

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Fasten your seat bolts and gear up for a hilarious, heartwarming comedy that's "Fun for the whole family!" (Clay Smith, Access Hollywood)With the help of his misfit mechanical friends, a small town robot named Rodney embarks on the adventure of a lifetime as he heads for the big city to pursue his dreams?and ultimately proves that anyone can shine no matter what they're made of.Featuring an all-star voice cast and a groundbreaking visual style that pushes the boundaries of animated filmmaking. Robots is a dazzling, fun-filled feast for the eyes and a riveting good time for all ages!

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Wednesday, March 16, 2011

Easy A (2010) Review

Easy A (2010)
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It's easy to like a character, but it isn't often you come across one that you would want to actually be friends with, or maybe even wish you could be like. For me, such a character is Olive Penderghast (Emma Stone), a high-school student from Ojai, California. True, she may only be a fictional character, but she's also the embodiment of personality - smart, witty, and affable, yet not so perfect or above it all that she fails to be human. Despite these magnetic qualities, she isn't noticed much by her peers, and she's all but upstaged by her best friend (Aly Michalka), who makes it a point to believe only what she wants to believe instead of actually listening to the truth. Things drastically change for Olive when she gains an infamous reputation as the school floozy, something she didn't start but certainly chose to perpetuate.
Her story is told in "Easy A," which is not only one of the funniest teen comedies of recent memory, but is also one of the most intelligent. Rather than go for obvious lowbrow sex and booze toilet humor, director Will Gluck and writer Bert V. Royal show the temerity to engage the audience with clever dialogue, strong characters, and a plot we can actually care about. It doesn't play down to the audience. If we laugh, it's not because of a vulgar throwaway gag but because of genuinely funny scenarios, many of which are relatable to varying degrees. Perhaps the film is founded on an extraordinary premise, but in my mind, it's a perfectly plausible premise, and the fact that the filmmakers could keep the story grounded while making it entertaining is quite an amazing achievement.
Olive's infamy begins when she lies about having lost her virginity over the weekend to a college student she made up. The lie is overheard by Marianne (Amanda Bynes), a judgmental and pious Little Miss Christian, who proceeds to tell everyone she knows about Olive's indiscretion. Rumors quickly spread. Other students begin to take notice of her, and although she never asked for her newfound reputation, she finds she's appreciating the attention. She's then approached by her gay friend, Brandon (Dan Byrd), who's so tired of being harassed by homophobic bullies that he begs her to pretend to have sex with him. Knowing that no one would believe her if she simply told people about it, Olive drags Brandon to a classmate's party, where they lock themselves in a bedroom and make all the necessary noises. Everyone is fooled.
This includes Marianne and her circle of Christian friends, one of whom boldly suggests that Olive follow the lead of Hester Prynne in "The Scarlett Letter" and mark herself. Not content with doing things half-heartedly, Olive arrives at school the next day wearing a bustier with a red A affixed to the right breast. In due time, she's approached by other boys who want Olive to do for them what she did for Brandon; she agrees to help them all, although she's well aware that the situation is getting out of hand. It's bad enough that they're using her to inflate their egos. Why must they also compensate her with gift certificates and coupons to affordable stores like The Home Depot and Bed Bath and Beyond?
The ads have prepared us to view Olive as a cliché - a wisecracking teen who never shows her emotions and flaunts her superior intellect in the form of biting sarcasm and dry wit. But we end up seeing nothing of the sort. Olive is a young woman of considerable depth, jokey on the outside but within harboring needs, hopes, and deep insecurities. They emerge during scenes with the school mascot, Woodchuck Todd (Penn Badgley), the one guy who has known Olive most of her life and sees the person behind the reputation. Through him, she comes to believe that regaining her self-respect depends on tracking down each of the boys she helped and coercing them into telling the truth. This proves far more difficult than she expected. It's just as well; the root of "self-respect" is "self," which is to say no one other than her can turn the situation around.
Other characters, such as Olive's loveably liberal parents (Patricia Clarkson and Stanley Tucci) and her perpetually flustered school principal (Malcolm McDowell), add color to the story, even if they are a bit less three-dimensional and serve mostly as comedy relief. The English teacher, Mr. Griffith (Thomas Hayden Church), is not only as witty and charming as Olive but is also remarkably perceptive; the same cannot be said about Mr. Griffith's estranged wife (Lisa Kudrow), which is ironic since she's the school's guidance counselor. I don't want to reveal too much about this couple. Let it suffice to say that Olive's actions have consequences that extend beyond the limits of the student body.
The film is told as a retrospective, Olive opening the film with a webcam confessional that continuously weaves in and out of the story proper. This is far from an original narrative technique, but Stone's performance and Royal's dialogue elevates it to new heights. Right at the start, we're drawn to this character, and we want to stay near her even after the story has come to an end. Not too many roles have this kind of power. Not too many teen comedies are this well written. "Easy A" is a sweet, sassy, ingenious little movie, one that I hope will not be forgotten ten years from now.

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OLIVE AN AVERAGE HIGH SCHOOL STUDENT, SEES HER BELOW THE RADAR EXISTENCE TURN AROUND OVERNIGHT ONCE SHE DECIDES TO USE THE SCHOOL'S GOSSIP GRAPEVINE TO ADVANCE HER SOCIAL STANDING.

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