Showing posts with label kristin scott thomas. Show all posts
Showing posts with label kristin scott thomas. Show all posts

Monday, September 12, 2011

Easy Virtue (2008) Review

Easy Virtue (2008)
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...I know the cost is going to be a killer. To summarize quickly before a long worded review - this is your typical solid Sony BD presentation of a good film, so I suppose one will have to weigh out how much they love the content.
I felt this to be a great comedy presentation of a 1920s Brit piece that came across on Blu beautifully. The English countryside estate (a lovely looking acreage and interior) is filled with a wonderful cast of snobs, naive youth, seasoned work staff, and a comic relief father played perfectly by Colin Firth. He was the strong point of the movie and I laughed almost every time he spoke. The story follows the introduction of an American wife into this mix played adequately by Jessica Biel. As the weeks progress we get to see a spattering of visuals, comedic schticks, and life lessons learned by all until the surprising end. I do not feel the criticism I have read here and elsewhere is valid since this is meant to be a light take on this sociological experiment, yet exquisitely preserved.
The overall colors were a little drab, but some of the landscape exteriors and one interior dance scene showed some vibrancy. The TrueHD was fine, and actually played best when the music was active (which is being interjected often). The supplements were thorough for a film like this, including:
* 5 minutes of 4 deleted scenes - would have been fine left in the film.
* 8:30 minutes of bloopers - they were actually funny and seemed appropriate for the extras inclusion since this was a humorous film.
* 6 minute New York Premiere Featurette - more of an ad plug with some red carpet interviews and too many film clips.
* Commentary by the director and writer - this was actually one of the better ones I have heard in some time. The director dominates the track with a plethora of great info, and the writer actually provides a solid back-up to his material; they gelled just right. Was nice to hear a team on a commentary instead of a competition or a mess of constant interruptions.
I liked the film and it plays very well in the store. The display catches a great deal of attention with the props, music and attire, plus everyone performs quite well. Four for the film and one for the extras. Did not see the original material (play, book) to compare so I think all the negative press is misplaced as a stand alone film, and Biel was not that bad - she did fine for what the role was. Enjoy.

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Jessica Biel, Colin Firth, Kristin Scott Thomas and Ben Barnes bring Noël Coward's witty comedy of manners magnificently to life in this "deliciously cheeky" (Ella Taylor, The Village Voice) adaptation from director Stephan Elliott (The Adventures of Priscilla, Queen of the Desert). When British playboy John brings his new wife Larita - a race car-driving feminist from Detroit - home to meet the family at their country estate, pretty much everyone's expectations are disappointed. His snooty mother is offended by Larita's carefree American ways, while Larita does everything she can to get her mother-in-law to loosen up, which only annoys her even more. John's sisters have diametrically opposed feelings about their new sister-in-law, but his father is intrigued to have finally found another who sees through the family's façade - and takes great perverse pleasure in watching his wife meet her match.

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Friday, June 17, 2011

The Horse Whisperer (1998) Review

The Horse Whisperer (1998)
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The Horse Whisperer is not a typical Hollywood movie. But then, none of the films Redford has directed, are in any way typical. The first time I really took notice of his work, was after seeing "A River Runs Through It". He had managed to tell a brutal, sad story in a mystical way that held me spell-bound.
Whisperer takes that feeling one step further. It will hold you and then squeeze your heart till the tears come. This is not a sad film however. It is the story of a spiritual journey that a family makes with the aid of a talented guide, Tom Booker, (played by Redford himself). Each of them takes their own paths but make it through some trying times, emerging stronger than when they began.
The story gets going as a result of a terrible accident involving two young girls who are out riding in icy, lightly forested terrain. The lone survivor, Grace, is traumatised by the loss of her friend, her foot and, in another way, her horse Pilgrim. Not that Pilgrim was killed, despite the wishes of the local veterinarian, but it was not the same, sane horse that it had been.
The normal tensions that existed within the family are magnified by the aftermath of the accident. Grace becomes withdrawn, suffering guilt and shame which show themselves in her bitterness toward her parents, Annie and Robert. At the same time she makes a connection between herself and Pilgrim. The horse's fate seems to be a grim portent of her own future; scarred, maddened and kept in a dark and lonely place.
Annie's desperate search for a treatment for Pilgrim is therefore very understandable. She hopes to build a bridge back to the world for her daughter, by healing Pilgrim. Here enters the almost magical legend of the Horse Whisperers. A breed of men, so in tune with horses, that they are said to be able to talk with them... to look into the soul of the beast and calm its raging spirit.
Tom Booker seems to have a healthy scepticism for the legend however and makes his down to earth philosophy pretty clear from the first moment when we hear him say, " Well truth is, I help horses with people problems."
Despite Tom and Robert's reluctance, Annie drags Grace from her pit of despair, to cross the country on the slim hope of making everything right again, on a Montana ranch, with a little help from a horse whisperer. Her expectation are rudely shattered within hours of arriving. Tom doesn't act like a paid specialist. From the outset it is clear to him that young Grace needs as much healing as Pilgrim. And this is a load he seems more than capable of bearing.
By now we are well and truly hooked by the story. But the best is yet to come. Redford clearly loves the great outdoors and his feeling shouts from the big screen. Montana must be God's own country because it is breathtaking. Now add a dash of wholesome family values, good old hard work, reluctant romance and a pinch of equine shamanism and you've got something special.
The Horse Whisperer is a movie that makes you feel like dozing in the long grass, on a lazy Summer afternoon. Don't be afraid of grass stains; go see this unusual film and have a roll in the grass for me.

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Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!

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Sunday, June 12, 2011

Tell No One Review

Tell No One
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TELL NO ONE (Ne le dis à personne) succeeds on every level for this viewer. Based on Harlan Coben's novel and adapted for the screen and directed by Guillaume Canet, this is one of those intricately complex French films that is much in the same mode as the 1955 film LES DIABOLIQUES. Nothing is as it appears at first and even when the mystery is explained in what appears to be a systematic, cohesive manner, the 'real story' remains a conundrum. It is a brilliant little film well worth multiple viewings to fully appreciate all of the aspects of the fine acting, cinematography, direction and musical scoring.
In a misty opening we discover Alexandre Beck (François Cluzet) and his beautiful wife Margot (Marie-Josée Croze) only to abruptly be drawn into the murder of Margot and the beating of Alexandre. The incidents are shrouded in mystery and remain so for eight years when suddenly the now pediatrician Alexandre receives an email from the 'deceased' Margot. Alexandre's world is topsy turvy and he begins to share the strange incident with his family - his sister Anne (Marina Hines) and her lover Hélène (a radiant Kristin Scott Thomas), his father, Margot's family...and the police who begin to discover evidence that implicates Alexandre as the perpetrator. Alexandre's lawyer (Nathalie Baye) pits evidence against the police investigators while Alexandre's chief ally in his run from the accusers is Bruno (Gilles Lellouche), the father of a hemophiliac patient whom Alexandre has treated and befriended. The chase is on and the clues become increasingly puzzling until at last the truth of the now eight year old murder and all of the implications of that event unfold.
If there are seemingly holes in the story it is because we, the audience, are never quite sure about the twists and turns of the plot. The acting is superb from this cast of some of France's finest artists, and one of the best performances in the film comes from British actress Kristin Scott Thomas, reminding us that she is one of the most talented and beautiful actors on the screen today! This is a tough little film to follow, but the quality of both the story and the production is first rate. Highly Recommended. Grady Harp, October 08

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Based on Harlan Coben s International best selling novel, Tell No One tells the story of pediatrician Alexandre Beck who still grieves the murder of his beloved wife, Margot, eight years earlier. When two bodies are uncovered near where Margot's body was found, the police reopen the case and Alex becomes a suspect again. The mystery deepens when Alex receives an anonymous e-mail with a link to a video clip that seems to suggest Margot is somehow still alive and a message to Tell No One .One of the Best Reviewed Films of the Year! (Rotten Tomatoes - 96% among top critics)2008 Top 10 List Selections:-Entertainment Weekly Owen Gleiberman-New York Times Stephen Holden-Los Angeles Times Kenneth Turran-USA Today - Susan Wloszczyna-Metacritic.com #1 - Marc Boyle-Plus over 10 others (Washington Post, Oregonian, Newark Star Ledger, Seattle Times, Austin Chronicle, etc.)Bonus Features: Deleted Scenes Outtakes English Language Track English Subtitles

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