Showing posts with label sam elliott. Show all posts
Showing posts with label sam elliott. Show all posts

Saturday, March 9, 2013

Lifeguard Review

Lifeguard
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With the approach of his fifteen year high school reunion and the possibilty of re-connecting with his teenage sweetheart (Anne Archer), an aging lifeguard (Sam Elliot) re-examines his career choice and single lifestyle.
This is my favorite Sam Elliot role and conversely probably his least well known. It's one of those perfect little gems where everything seems to work to perfection. Much like the main character, Lifeguard Rick, the viewer subtly touches on so many different emotions during this film that it's hard to define exactly what you're experiencing at any given time. But in the end you are left with a quiet contentment, an understanding and acceptance of who you are and what is the right choice for yourself no matter what the mainstream opinion might be.
Paul Williams' song "Time and Tide" was removed from the soundtrack when this movie hit the T.V. screen. I hope it has been restored on the DVD release, it just wouldn't be the same movie without it.
Update 06/22/05: The DVD came out yesterday. I bought it and watched last night. All is well, the song is back. Thanks Paramount!

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Sam Elliot drew waves of accolades for his sensitive and sexy portrayal of aging lifeguard Rick Carlson, who's compelled to reassess his life and career as a professional lifeguard. To keep things status quo or pursue things status-conscious - that's Carlson’s dilemma. It's an agonizing decision compounded on one side by an adoring beach groupie (Quinlan) and on the other by a former high school flame (Archer) that's game for rekindling, but only if he's serious about trading in his swimsuits for three-piece suits.

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Tuesday, July 24, 2012

Tombstone (1993) Review

Tombstone   (1993)
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1993 and it was the battle between two films based on the iconic western figure Wyatt Earp. Screenwriter Kevin Jarre ("The Mummy", "Glory", "Rambo: First Blood Part II") and Kevin Costner were originally set to make the film together but due to a disagreement, Costner would go on to film "Wyatt Earp" while Kevin Jarre would take his script to Buena Vista for distribution and sure enough, it became a contest of sorts as who would get their movie out first and which one would dominate in the box office.
Fortunately, despite numerous problems on the set of "Tombstone", if there is one thing that the film had was its all-star cast as Kurt Russell, Val Kilmer, Sam Elliott, Bill Paxton, Powers Boothe, Michael Biehn, Charlton Heston, Jason Priestly, Dana Delany, Thomas Haden Church, Billy Bob Thornton, Michael Rooker, Terry O'Quinn and many more.
Directing the film would be George P. Cosmatos ("Rambo: First Blood Part II", "Leviathan", "Shadow Conspiracy"), cinematography by William A. Fraker ("Rules of Engagement", "Father of the Bride Part II", "Street Fighter") and music by Bruce Broughton ("Lost in Space", "Bambi II", "Tiny Toon Adventures").
In the end, "Tombstone"earned $56 million domestically and did much better than Costner's "Wyatt Earp" in the box office.
VIDEO:
"Tombstone" is presented in 1080 High Definition (2:35:1). For the most part, the good news is that "Tombstone" looks very good on Blu-ray. The cinematography by William A. Fraker is absolutely beautiful during some of the scenic shots overlooking the fields, the skyline, dusk and dawn. While many parts of the film showcases many colors and for the most part, detail of the town, the saloon, the skin pores, etc. look great on Blu-ray, I noticed that the scenes look a bit dark at times. I haven't had the chance to compare with the original DVD release of "Tombstone" but there are times that seem as if shots were taken during overcast or the shadows of the hats are covering the faces of people.
But despite the dark look of some scenes, "Tombstone" definitely looks sharper and more contrast is seen on the Blu-ray release and blacks are nice and deep. Only one scene which was stock video where you a bit of aliasing but for the most part, I didn't detect any major artifacts or blemishes.
AUDIO & SUBTITLES:
"Tombstone" is presented in English 5.1 DTS-HD MA (48 kHz/24-bit), French and Spanish 5.1 Dolby Digital. Audio dialogue is quite clear and for the most part, the majority of the film is dialogue driven until you get into short action scenes at the O.K. Corral and the final half hour in which the film starts to have more action-based scenes. But one of the things that you will notice is the use of the surrounds in terms of capturing the ambiance of the outdoor scenes. I was watching when Wyatt and Josie were horseriding and are taking a break and all of a sudden I started hearing birds chirping and rustling the trees. I thought that was pretty cool. Also, you will hear the thunderstorms come to life and of course, the gun battle sequences in which you hear rifle shots, gun shots and more. Overall, "Tombstone" sounds very good via lossless.
Subtitles are in English SDH, English ESL, French and Spanish.
SPECIAL FEATURES:
"Tombstone" comes with the following special features in 480i, English 2.0 Dolby Digital audio and subtitles in English SDH, French and Spanish. Included are:
* The Making of Tombstone - (27:19) This featurette goes into the cast of Tombstone as they talk about their characters and filming a Western. Director George P. Cosmatos talking about making an authentic Western and the gunfight at the O.K. Corral.
* Director's Original Storyboards - (4:00) A special feature showcasing the original storyboards of Director George P. Cosmatos.
* Trailers and TV Spots - Featuring two theatrical trailers (:60 and :120) and the "Friends" TV spot (:30).
JUDGMENT CALL:
"Tombstone" is an enjoyable film and for those who enjoy Westerns and for those who like the stories of lawmen vs. the outlaws, the film is quite entertaining and a storyline in which both Kurt Russell and Val Kilmer actually do a remarkable job. Russell as the Wyatt Earp, the caring brother and also not afraid of anyone! And Val Kilmer as Doc Holliday at his most charming and also his most vulnerable and how Kilmer plays off the sickly version of Holliday is really well-done.
But what I did enjoy about "Tombstone" when I first watched it over a decade ago, was how it tried to capture the life of Wyatt Earp and led to the "Gunfight of O.K. Corral" and "Wyatt Earp and the Immortals". Granted, the film is not exactly historically accurate and the adaptation would be of what took place had to receive the Hollywood touch but for the most part, it did capture many of the stories that took place especially with Virgil Earp becoming a marshal, some of the battles that took place and more.
If there was one thing that I was hoping for, it would be a more climactic battle between Wyatt and Curly Bill Brocius. With Brocius being the leader of the Cowboys, I felt that the battle between both men was rather short. Also, there were some scenes of certain characters that felt out of place and this goes with the troubled production as the original screenplay was longer and had a story emphasizing sub-plots of the various characters but was nixed. The fact that "Tombstone" has quite a bit of starpower, I just felt that certain characters were never utilized and if they were, what was the purpose. For example, why was Deputy Billy Breckinridge (played by Jason Priestly) even shown and also, with no historical fact towards his sexuality, why was she shown to have gay tendencies? Also, the character of Sherman McMasters (played by Michael Rooker), just an added scene showing why he broke off with the Cowboys would have been nice to see as well.
As for the Blu-ray, the film definitely looks and sounds better than its predecessor. It's important to note that the Blu-ray version features the 130-minute version and not the 135-minute director's cut version of "Tombstone". Missing is the audio commentary by director George P. Cosmatos and also "The Tombstone Epitaph - Actual Newspaper Account" featured in the Director's Cut Televista DVD version. But the making-of featurette, director's original storyboards and trailers remain intact. But you can't help but be pleased with this Blu-ray release.
Overall, "Tombstone" was an enjoyable Western that I have seen a good number of times. Does it rank high compared to the best Western's out there? Definitely not but in my opinion, it's the best Wyatt Earp film that I have seen yet and it's a film that I just found enjoyable from beginning to end. Definitely recommended!

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Kurt Russell (Miracle, Death Proof) and Val Kilmer (Deja Vu, The Missing) will blow you away in this explosive, action-packed adventure! And now, the legendary battle for justice in Tombstone hits home on Blu-ray™ for the first time ever. Russell is U.S. Marshal Wyatt Earp; Kilmer is the outrageous Doc Holliday. Together, they team up to lay down the law in a notorious showdown with ruthless outlaws at the O.K. Corral. With an all-star cast that also includes Sam Elliott, Bill Paxton, Dana Delany, Jason Priestley, Michael Biehn and Hollywood icon Charlton Heston, this Wild West epic will transport you back in time and land you smack dab in the center of the crossfire. So strap on your six shooters as you experience the remarkable picture and theater-quality sound of Tombstone in Blu-ray™ High Definition.

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Monday, September 19, 2011

Prancer (1989) Review

Prancer (1989)
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Here is a story that brings us all back to what Christmas is all about faith, love, hope, and family. This film tells the story of a young girl, Jessica, that keeps the joyous feeling of Christmas in her heart all year long. Her mother has died and her father is struggling to raise a son and daughter as well as a failing farm. Circumstances seem too much, and he contemplates sending Jessica to live with a nearby aunt. This upsets Jessica because family is as important to her as Christmas, especially as she has already lost one parent. While this is going on, Jessica discovers an injured reindeer, and she needs to help him as "he is one of Santa's ". With an injured reindeer and an injured family, Jessica applies the necessary healing with hope, faith and love. Her true innocence and undying belief in all that is good and wonderful (God and Santa) brings a family and a town together in a joyous celebration.

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A wounded reindeer and a precocious eight-year-old girl form an everlasting bond in this tender holiday drama about true devotion and friendship. An enchanting film full of Â"heart and gumptionÂ" (Roger Ebert), Prancer will set your imagination aflight!Jessica Riggs (Rebecca Harrell) plays an angel in her school pageant...but she becomes a real guardian angel when she finds an injured reindeer in the forest. Convinced that the deer is SantaÂ's very own Prancer, Jessica vows to nurse him back to health and return him safely home. But before she can carry out her plan, Jessica discovers that her father (Sam Elliott) has made another Â? very different Â? plan of his own! Will Jessica be able to help her antlered friend find his way back to Santa in time to make their deliveries on Christmas Eve? The magical final scene is sure to make your heart soar!

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Sunday, August 14, 2011

We Were Soldiers (Widescreen Edition) (2002) Review

We Were Soldiers (Widescreen Edition) (2002)
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I live with a Vietnam Vet who served in the late 1960s with 1st Cav. Medivac. During service he earned two Purple Hearts, the Distinguished Flying Cross, and the Air Medal. Since WE WERE SOLDIERS concerns the 1st Cav., Randy wanted to see it. I reluctantly agreed; I am not partial to war films and I dislike Mel Gibson, and Randy is very hard on Vietnam War films. He dismisses PLATOON as a Hollywood 8x10 glossy; says APOCALYPSE NOW is an interesting movie that captures the paranoia, but all the technical details are wrong; and describes DEER HUNTER as excellent in its depiction of the strangeness of coming home but so full of plot holes that he can hardly endure it. And about one and all he says: "It wasn't like that."
He was silent through the film, and when we left the theatre I asked what he thought. He said, "They finally got it. That's what it was like. All the details are right. The actors were just like the men I knew. They looked like that and they talked like that. And the army wives too, they really were like that, at least every one I ever knew." The he was silent for a long time. At last he said, "You remember the scene where the guy tries to pick up a burn victim by the legs and all the skin slides off? Something like that happened to me once. It was at a helicopter crash. I went to pick him up and all the skin just slid right off. It looked just like that, too. I've never told any one about it."
In most respects WE WERE SOLDIERS is a war movie plain and simple. There are several moments when the film relates the war to the politics and social movements that swirled about it, and the near destruction of the 1st. Cav.'s 7th Battalion at Ia Drang clearly arises from the top brass' foolish decision to send the 7th into an obvious ambush--but the film is not so much interested in what was going on at home or at the army's top as it is in what was actually occurring on the ground. And in this it is extremely meticulous, detailed, and often horrifically successful. Neither Randy nor I--nor any one in the theatre I could see--was bored by or dismissive of the film. It grabs you and it grabs you hard, and I can easily say that it is one of the finest war movies I have ever seen, far superior to the likes of SAVING PRIVATE RYAN, which seems quite tame in comparison.
Perhaps the single most impressive thing about the film is that it never casts its characters in a heroic light; they are simply soldiers who have been sent to do a job, and they do it knowing the risks, and they do it well in spite of the odds. Mel Gibson, although I generally despise him as both an actor and a human being, is very, very good as commanding officer Hal Moore, and he is equaled by Sam Elliot, Greg Kinnear, Chris Klein, and every other actor on the battlefield. The supporting female cast, seen early in the film and in shorter scenes showing the home front as the battle rages, is also particularly fine, with Julie Moore able to convey in glance what most actresses could not communicate in five pages of dialogue. The script, direction, cinematography, and special effects are sharp, fast, and possess a "you are there" quality that is very powerful.
Randy did have a criticism. "I don't think there would be time for casualty telegrams to actually get home while the battle was going on," he said. "After all, it only lasted three days." I myself had a criticism; there were points in the film when I found the use of a very modernistic, new-agey piece of music to be intrusive and out of place. And we both felt that a scene near the end of the movie, when a Vietnamese commander comments on the battle, to be improbable and faintly absurd. But these are nit-picky quibbles. WE WERE SOLDIERS is a damn fine movie. I'll give Randy, who served two tours of duty in Vietnam, the last word: "It may not be 'the' Vietnam movie. I don't think there could ever be 'the' Vietnam movie. But they get everything right. That's how it looked and sounded, and that's what I saw, and this is the best movie about Vietnam I've ever seen."

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WE WERE SOLDIERS - DVD Movie

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Wednesday, July 6, 2011

Purgatory (1999) Review

Purgatory (1999)
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I am not a huge fan of Western movies but I decided to watch Purgatory because there was nothing else on TV and it was better than doing the housework that was for sure! Boy am I glad I gave the housework a miss! What an excellent film! It wasn't just a western but it was a love story, a mystery, a thriller, a bit of horror and lots of good quality acting. The storyline was fairly simple. A group of rowdy cowboys come across a small town called Refuge and they think that their luck is in. It's run by a Sheriff who doesn't tote a gun, and the locals are wary of trouble to the point of paranoia. Enter Sonny portrayed by the delicious young Brad Rowe as an idealistic young cowboy who is the first to realise that the town of Refuge isn't quite what it seems. There are familiar faces in the town, faces that have been dead for many years and they're all pretending to be people that they aren't. Sonny goes looking for the truth and in doing so falls in love with Rose a Refuge local played by newcomer Amelia Heinle. In order to save Rose from the outlaws he has been travelling with Sonny must take on a band of vicious men, and make Wild Bill Hickok, Sam Shepherd at his best, pick up his guns once more even though it means a fate worse than death for him. This is a great film, with a great storyline that is made even better by a strong cast of actors. Look out for Donnie Wahlberg who plays Deputy Glen/Billy The Kid, he's an absolute cutie-pie! It's not too graphic in the horror department so those who are squeamish can watch it without too much hiding behind pillows, and it has enough suspense for those who want a film with a little bit of a bite here and there. All in all a really good film, and a western at that!!

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Between somewhere and nowhere in the untamed West is the small town of Refuge. There, neither the sheriff nor his deputy carry a sidearm. There's no jail either, because shooting, carousing and bad blood are not in the town's character. What peaceful folks live there? Wild Bill Hickok. Doc Holliday. Jesse James. Billy the Kid. All long dead. All mysteriously given a chance to undo their violent pasts in Purgatory. All put to a stern test when Blackjack and his ornery gang ride into town.

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Thursday, April 28, 2011

Tombstone (1993) Review

Tombstone (1993)
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Having already seen My Darling Clementine (1946) and The Gunfight at the OK Corral (1957) several times, I was curious to observe what director George Pan Cosmatos and his screenwriters would do with essentially the same material in this film. There are significant differences between and among them but suggesting comparisons and contrasts would be unfair to three different films which appeared over a 57-year period.
Now on to Tombstone. Director George Cosmatos worked with a large cast and all of the performances are first-rate. William Fraker's cinematography and Bruce Broughton's musical score are carefully integrated within the narrative and serve it well. My own opinion is that Val Kilmer (Doc Holliday) dominates each scene in which he appears. However, Kurt Russell (Wyatt Earp), Dana Delany (Josephine Marcos), Sam Elliot (Virgil Earp), and Powers Boothe (Curly Bill Brocius) hold their own.
As portrayed in the film, Tombstone (Arizona) is a western town in the last stages of being a community dominated by outlaws. The involvement of the Earps coincide with a growing local desire among residents to establish law and order. The eventual showdown at the OK Corral is a key event but by no means the only one. I was especially interested in how Cosmatos and Russell develop Wyatt Earp's character as he struggles to follow his conscience, establish some stability in his own life, and thereby complete a transition from gunfighter to private citizen.
Back to Kilmer for a moment. I do not recall a prior or subsequent film of his in which he reveals the comic timing, nuances of personality, and conflicting anxieties which he does while portraying Holliday in Tombstone. His is a masterful performance, maintaining an exquisite balance between playful humor and force of will. I recalled elements of that performance while recently observing Johnny Depp as Jack Sparrow in Pirates of the Caribbean. However, the Holliday character is revealed to have much greater depth and complexity than Sparrow's even as both characters demonstrate at every appropriate opportunity a unique flair for mimicry.
I do have a few minor quibbles. First, I think the pace of the plot lags unnecessarily at times. Also, the evolving relationship between Wyatt Earp and Josephine Marcos is not always in focus, even when allowing for a period of adjustment as they take each other's measure. Finally, I really don't understand the purpose of the final scene except to offer an alternative to the neat-and-tidy conclusion which so many other films offer. That said, I think that Cosmatos, his cast, and crew have created 135 minutes of generally entertaining, sometimes hilarious, and often thought-provoking material. Perhaps the more ambitious scale (e.g. timeframe and subplots) precludes the dramatic impact of its predecessors, My Darling Clementine and The Gunfight at the OK Corral. In any event, I enjoyed it.
Final point: I wish all other versions offered special features comparable with those provided by the Vista Series DVD. They include a commentary by Cosmatos, the 134 Director's Cut Edition, featurettes ("An Ensemble Cast," "Making An Authentic Western," and "The Gunfight At The O.K. Corral"), an interactive Tombstone storyline, The Tombstone Epitaph - Actual Newspaper Account, and Cosmatos' original storyboards for the O.K. Corral sequence.

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A sizzling, star-studded cast brings to life the legendary battle to deliver justice to TOMBSTONE! Kurt Russell (MIRACLE, VANILLA SKY) turns in a gripping performance as U.S. Marshall Wyatt Earp and Val Kilmer (THE MISSING, BATMAN FOREVER) ignites the screen as the outrageous Doc Holliday. Together, they team up to bring law to the lawless in a notorious showdown with the ruthless outlaws at the O.K. Corral! The all-star ensemble also includes Sam Elliott, Bill Paxton, Dana Delany, Jason Priestley, Michael Biehn, and long-time Hollywood favorite Charlton Heston. Get ready for an explosive, action-packed adventure the Wild West would never forget!

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