Showing posts with label val kilmer. Show all posts
Showing posts with label val kilmer. Show all posts

Tuesday, July 24, 2012

Tombstone (1993) Review

Tombstone   (1993)
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1993 and it was the battle between two films based on the iconic western figure Wyatt Earp. Screenwriter Kevin Jarre ("The Mummy", "Glory", "Rambo: First Blood Part II") and Kevin Costner were originally set to make the film together but due to a disagreement, Costner would go on to film "Wyatt Earp" while Kevin Jarre would take his script to Buena Vista for distribution and sure enough, it became a contest of sorts as who would get their movie out first and which one would dominate in the box office.
Fortunately, despite numerous problems on the set of "Tombstone", if there is one thing that the film had was its all-star cast as Kurt Russell, Val Kilmer, Sam Elliott, Bill Paxton, Powers Boothe, Michael Biehn, Charlton Heston, Jason Priestly, Dana Delany, Thomas Haden Church, Billy Bob Thornton, Michael Rooker, Terry O'Quinn and many more.
Directing the film would be George P. Cosmatos ("Rambo: First Blood Part II", "Leviathan", "Shadow Conspiracy"), cinematography by William A. Fraker ("Rules of Engagement", "Father of the Bride Part II", "Street Fighter") and music by Bruce Broughton ("Lost in Space", "Bambi II", "Tiny Toon Adventures").
In the end, "Tombstone"earned $56 million domestically and did much better than Costner's "Wyatt Earp" in the box office.
VIDEO:
"Tombstone" is presented in 1080 High Definition (2:35:1). For the most part, the good news is that "Tombstone" looks very good on Blu-ray. The cinematography by William A. Fraker is absolutely beautiful during some of the scenic shots overlooking the fields, the skyline, dusk and dawn. While many parts of the film showcases many colors and for the most part, detail of the town, the saloon, the skin pores, etc. look great on Blu-ray, I noticed that the scenes look a bit dark at times. I haven't had the chance to compare with the original DVD release of "Tombstone" but there are times that seem as if shots were taken during overcast or the shadows of the hats are covering the faces of people.
But despite the dark look of some scenes, "Tombstone" definitely looks sharper and more contrast is seen on the Blu-ray release and blacks are nice and deep. Only one scene which was stock video where you a bit of aliasing but for the most part, I didn't detect any major artifacts or blemishes.
AUDIO & SUBTITLES:
"Tombstone" is presented in English 5.1 DTS-HD MA (48 kHz/24-bit), French and Spanish 5.1 Dolby Digital. Audio dialogue is quite clear and for the most part, the majority of the film is dialogue driven until you get into short action scenes at the O.K. Corral and the final half hour in which the film starts to have more action-based scenes. But one of the things that you will notice is the use of the surrounds in terms of capturing the ambiance of the outdoor scenes. I was watching when Wyatt and Josie were horseriding and are taking a break and all of a sudden I started hearing birds chirping and rustling the trees. I thought that was pretty cool. Also, you will hear the thunderstorms come to life and of course, the gun battle sequences in which you hear rifle shots, gun shots and more. Overall, "Tombstone" sounds very good via lossless.
Subtitles are in English SDH, English ESL, French and Spanish.
SPECIAL FEATURES:
"Tombstone" comes with the following special features in 480i, English 2.0 Dolby Digital audio and subtitles in English SDH, French and Spanish. Included are:
* The Making of Tombstone - (27:19) This featurette goes into the cast of Tombstone as they talk about their characters and filming a Western. Director George P. Cosmatos talking about making an authentic Western and the gunfight at the O.K. Corral.
* Director's Original Storyboards - (4:00) A special feature showcasing the original storyboards of Director George P. Cosmatos.
* Trailers and TV Spots - Featuring two theatrical trailers (:60 and :120) and the "Friends" TV spot (:30).
JUDGMENT CALL:
"Tombstone" is an enjoyable film and for those who enjoy Westerns and for those who like the stories of lawmen vs. the outlaws, the film is quite entertaining and a storyline in which both Kurt Russell and Val Kilmer actually do a remarkable job. Russell as the Wyatt Earp, the caring brother and also not afraid of anyone! And Val Kilmer as Doc Holliday at his most charming and also his most vulnerable and how Kilmer plays off the sickly version of Holliday is really well-done.
But what I did enjoy about "Tombstone" when I first watched it over a decade ago, was how it tried to capture the life of Wyatt Earp and led to the "Gunfight of O.K. Corral" and "Wyatt Earp and the Immortals". Granted, the film is not exactly historically accurate and the adaptation would be of what took place had to receive the Hollywood touch but for the most part, it did capture many of the stories that took place especially with Virgil Earp becoming a marshal, some of the battles that took place and more.
If there was one thing that I was hoping for, it would be a more climactic battle between Wyatt and Curly Bill Brocius. With Brocius being the leader of the Cowboys, I felt that the battle between both men was rather short. Also, there were some scenes of certain characters that felt out of place and this goes with the troubled production as the original screenplay was longer and had a story emphasizing sub-plots of the various characters but was nixed. The fact that "Tombstone" has quite a bit of starpower, I just felt that certain characters were never utilized and if they were, what was the purpose. For example, why was Deputy Billy Breckinridge (played by Jason Priestly) even shown and also, with no historical fact towards his sexuality, why was she shown to have gay tendencies? Also, the character of Sherman McMasters (played by Michael Rooker), just an added scene showing why he broke off with the Cowboys would have been nice to see as well.
As for the Blu-ray, the film definitely looks and sounds better than its predecessor. It's important to note that the Blu-ray version features the 130-minute version and not the 135-minute director's cut version of "Tombstone". Missing is the audio commentary by director George P. Cosmatos and also "The Tombstone Epitaph - Actual Newspaper Account" featured in the Director's Cut Televista DVD version. But the making-of featurette, director's original storyboards and trailers remain intact. But you can't help but be pleased with this Blu-ray release.
Overall, "Tombstone" was an enjoyable Western that I have seen a good number of times. Does it rank high compared to the best Western's out there? Definitely not but in my opinion, it's the best Wyatt Earp film that I have seen yet and it's a film that I just found enjoyable from beginning to end. Definitely recommended!

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Kurt Russell (Miracle, Death Proof) and Val Kilmer (Deja Vu, The Missing) will blow you away in this explosive, action-packed adventure! And now, the legendary battle for justice in Tombstone hits home on Blu-ray™ for the first time ever. Russell is U.S. Marshal Wyatt Earp; Kilmer is the outrageous Doc Holliday. Together, they team up to lay down the law in a notorious showdown with ruthless outlaws at the O.K. Corral. With an all-star cast that also includes Sam Elliott, Bill Paxton, Dana Delany, Jason Priestley, Michael Biehn and Hollywood icon Charlton Heston, this Wild West epic will transport you back in time and land you smack dab in the center of the crossfire. So strap on your six shooters as you experience the remarkable picture and theater-quality sound of Tombstone in Blu-ray™ High Definition.

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Monday, November 28, 2011

The Saint (1997) Review

The Saint (1997)
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Just the other night I caught "The Saint" on television, and I was rapt. Aside from the movies ride through Russia, and the ingenious escape methods of Val Kilmer's character, Simon Templar, a theif with interesting disguises and gadgets, it is the love story that has taken me. Elisabeth Shue's character makes your heart ache: someone so beautiful to be so alone and in search for the magic of love. The chemistry between Kilmer and Shue is absolutely overwhelming, and it makes me wonder why I have read so many critic reviews on this movie that have shot it to the dirt? Why listen to critics anyway? What exactly do they expect? This is a movie where you have to see the beauty and the fun that it displays, and understand the purity and magnificence of true, spirited love. Critics can dog this movie all they want, where it's action may not excite the "Armageddon" fans, and it's suspense may not grip the "Scream" fans, the excellence of this movie is left for those who can relate to it. In this world that lacks magic, is filled with disappointments, and sad, repeititive activities, this movie is the spice that anyone's life can use. Yes, critics, shake your heads in disgust, just know that The Saint's love story alone by far trascends the over-rated greatness of "Titanic" and other such movies that everyone went mad over. Judge a movie by what it gives to you, not by what you expect of it. "The Saint" is definitly 1 of very few movies that will soon be entering my movie collection.

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SAINT - DVD Movie

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Wednesday, November 9, 2011

Top Secret (1984) Review

Top Secret (1984)
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Top Secret! - the Jim Abrahams/Zucker Bros.' follow-up to Airplane! - does for (or is that *to*) Elvis movies and WWII espionage films what the earlier feature did for/to the airborne disaster genre. The gags are slightly more immature (not necessarily a bad thing, but in some cases may have been better had they been allowed to age a little before being put into production), but some, like the forced-perspective oversize phone or saying farewell to the Scarecrow, rival anything the ZAZ team has ever done.
The music is a mixed bag. "Skeet Surfing" and the Macy's jingle are great. "Tutti-Fruitti" and "Straighten the Rug" are less so (not that every song in an Elvis movie was worthy of screen time, either). Kudos to Val Kilmer, though; even when he's camping it up, the musical numbers remain watch- and listenable.
The only thing I don't care for on the disc is the audio commentary. The production team really rips the movie apart as if they had tried to make a "serious" film that fell apart. In that case, learning why/how it failed would be interesting and instructive. To shred a spoof film, especially a sophomore and sophomoric effort like Top Secret!, is entirely unwarranted. Sure there are plot holes. Sure it makes no sense that submarine would crash into a prison dungeon. Sure some things are only mildly amusing. Drawing undue attention to them is doubly pointless. Sheesh! If you're a big fan, skip the commentary.
I really enjoyed this movie and really (mostly) enjoyed its presentation on the DVD. There aren't a lot of extras, but be sure to hunt for the Easter Egg - it's definitely worth finding.

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An American rock star teams up with a scientist's daughter to rescue her father before the enemy can force him to make a devasting weapon.Genre: Feature Film-ComedyRating: PGRelease Date: 1-MAR-2004Media Type: DVD

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Sunday, October 23, 2011

Deja Vu (2006) Review

Deja Vu (2006)
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Déjà Vu is the perfect blend of science fiction and action film for the average movie watcher as well as the science fiction fan. At its core, it is a thrilling, well paced action adventure story about an ATF agent, Doug Carlin, investigating a terrorist bombing on a ferry full of US Navy sailors in New Orleans. 540 people are killed in the massive explosion, but one young woman's body washes up and doesn't seem to fit with the other victims; though it looks like a victim of the explosion, the body was discovered 8 minutes before the bomb went off. Other pieces of evidence regarding this victim quickly lead Carlin to roughly piece together where she fits in the puzzle; unfortunately, none of it is enough to provide leads to the perpetrator.
When Carlin presents his information to the FBI agents in charge, they are quickly impressed by his keen ability to size up a crime scene and filter out the noise from the pertinent details. They invite him to join a new test project that uses the latest technology to analyze a crime scene. Though the FBI and scientists involved try to hide the true nature of the technology, it doesn't take agent Carlin long to realize that there is more to it than advanced surveillance camera processing. This is where the science fiction weaves itself into the crime action drama film. While testing a new high-powered telescope technology, a way to bend the fabric of space/time is discovered, allowing the ability to watch the past in "real time" exactly 4+ days before.
What makes this film work so well is that the action mostly takes place in the present, but the technology leads to some very good storytelling and the most interesting car chase ever conceived. I had read in some positive reviews that as good as it was it didn't fully make sense...well they are wrong - it complete sense - just pay attention to the details along the way and the story comes together nicely. Yes, there are a few inconsistencies - whose explanations probably were left on the cutting room floor to keep the film well paced - but they are small. If you have a basic understanding of the physics and space/time you can piece them together yourselves; if you are not, don't worry and ignore them because they don't take away from this very film.

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Academy Award(R) winner Denzel Washington (Best Actor, TRAINING DAY, 2001) joins forces with blockbuster producer Jerry Bruckheimer and mega-hit director Tony Scott for DÉJÀ VU — the powerful, fast-paced action-thriller with a spectacular mind-bending twist. Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin (Washington) gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help prevent crime. But can it help Carlin change the past? Hold on to your seat for an explosive and intriguing thrill ride you'll want to experience again and again.'

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Friday, August 5, 2011

At First Sight (1999) Review

At First Sight (1999)
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In watching "At First Sight," I found myself somewhat put off by the length that the movie takes in delivering its story. I was also vastly moved by the emotion and exceptional talent that the story and the actors have in creating it to life. In reaching the end of the movie, I found that even though it did seem lengthy in certain places, I was more than willing to watch the two incredible leads take us through an emotionally empowering experience that will have you seeing things in new lights.
Based on a story by Oliver Sacks about a real-life couple, the story begins when construction designer Amy decides to take a vacation from work and go to a health and beauty spa for the weekend. Driving along snowy roads, she arrives that same night, and the next morning, she goes in for a therapeutical massage. Not only is the massage therapist a blind man named Virgil, but he is also able to make her cry not five minutes into the session, and from this moment on, the two become inseparable. Upon returning to the city, Amy comes across the name of a doctor who wishes to restore site to someone willing to be the first for the surgery.
Up until this point, the story has already built up a momentus amount of emotions, most of them happy in relation to the budding relationship between Amy and Virgil, and a small amount of grief when we realize the pain the Virgil went through in the early years of his life as his father tried everything to get his son to see. Virgil's simple yet complex view upon the world is, at times, tear-jerking, especially in the abandoned building of his town where he and Amy escape to listen to the rain. This is one of the most moving moments of the film, because it shows that even though he is a blind man, he can take something as simple as rain and read so much into what he hears from it.
Virgil agrees to go through with the surgery, with some hesitation. He has normal fears about the repercussions of the procedure, as well as feeling that his life is normal the way it is, and is not hampered by his disability. After the surgery, when the bandages are removed, everyone involved in his life realizes that it is going to take so much more for Virgil to get used to the ability of sight because of his life's experiences as a blind man. He has no sense of depth perception, color, or what things are. He is used to feeling things and reading Braille, and soon, Amy realizes that it is more taxing on her life than she originally thought it would be.
The basis for this story is truly moving, and it makes for a very emotional experience that packs pure satisfaction in matters of the heart. The way in which this disability affects these two peoples' lives is truly authentic, going through situations from Virgil's learning to read and comprehend different aspects of his vision while Amy goes through emotions of stress and heartache until she comes to the realization that Virgil is the only person in her life that she truly needs.
There is an instant connection between these two characters that the film is able to keep solidly fused throughout the entire plot. Amy and Virgil are able to make it through good times and bad, and their emotion becomes the centerpiece for the entire story. I found myself crying in places I never expected to, laughing in all the right places, and feeling nothing but happiness and an uplifted spirit after it was all over. We are able to feel everything that the characters feel, while also going through the experiences and emotions they do right along with them.
The running time for this movie may seem a bit tedious for those unwilling to sit through a long love story, and some scenes do tend to drag out a bit. It takes a full hour before Virgil is able to see, and that first hour is spent going through the motions of the building romance, the hesitation, the aspect of living life blind. If the operation had taken place at least fifteen minutes earlier, then the film would not be hampered by this. Nonetheless, the second half of the movie is worth waiting for, and if you're a true romance buff, then you won't mind watching the whole thing and enjoying it.
There is a remarkable cast for this film, with some big name, award-winning stars leading the way. Val Kilmer is a truly magnificent Virgil, and while he plays the physical aspect of being blind quite authentically, he is also able to embody emotion and strength into his character's mental state. Mira Sorvino plays one of her best roles ever as Amy, the highly emotional woman who comes into Virgil's life. This performance marks her as one of the most believable and true actresses of our time, and she proves this when she cries and laughs and expresses her love for Virgil in various ways. Kelly McGillis plays Virgil's sister, who becomes slightly jealous of the fact that her brother no longer depends on her with Amy in his life. Nathan Lane brings his wit and charm to the movie as a teacher for the blind who reverses his teachings in trying to help Virgil understand what he is seeing.
"At First Sight" tells a harrowing story of the receipt of the gift of sight, and that it's a gift that takes getting used to. Through the experiences of the characters, we learn that to see with the eyes is nothing compared to when we see things with the human heart.

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Witness the extraordinary transformation of seeing the world for the first time and fall in love with life all over again. Directed by OscarÂ(r) winner* Irwin Winkler (GoodFellas) and based on a true story by Dr. Oliver Sacks (Awakenings), At First Sight is an exhilarating adventure and the visual experience of a lifetime! Starring Val Kilmer (The Doors, Batman Forever) and Academy AwardÂ(r)-winner** Mira Sorvino (Romy and Michelle's High School Reunion), this "poignant, uplifting drama" (New York Daily News) explores the remarkable journey of a man whose world was darkened by blindness but enlightened by the miracle of science and the wonder of love.Blind since childhood, Virgil Adamson (Kilmer) is working as a masseur in an upstate New York spa when he meets and falls in love with Amy Benic (Sorvino), a stressed-out, career-driven architect. Certain that Virgil's simple world will be greatly enhanced by an operation to restore his sight, Amy ultimately realizes that Virgil's new vision puts a fresh focus onboth their lives.

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Wednesday, June 22, 2011

Willow (Special Edition) (1988) Review

Willow (Special Edition) (1988)
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A great story about a Nelwyn named Willow (Warwick Davis) who finds a baby in the river. It turns out that this baby, named Elora Dannan, is part of a profecy that was said to destroy the evil Queen Bavmorda when the child grew older. Willow sets out on an adventure with a warrior named Madmartigan (Val Kilmer) to save the baby from being killed by the queen. Fairies, trolls, dragons and sorcerers magic bring this story to life by the talents of Industrial Light and Magic. My favorite scene is when all these fairies are flying around in the woods and the head fairy Shalindria gives Willow her wand and tells him to protect the baby and how important his quest is to the whole kingdom. The brownies are very funny too. One of them is played by Kevin Pollack. I highly recommend this movie for people that really like fantasy and adventure.

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From legendary filmmakers George Lucas and Ron Howard comes one of the most beloved fantasy tales of all time. This groundbreaking film features stunning special effects, dazzling action and a classic battle between good and evil. When young Willow Ufgood (Warwick Davis) finds an abandoned baby, he is suddenly thrust unto an adventure filled with magic and danger. According to an ancient prophecy, the sacred child is destined to end the reign of the evil sorceress Queen Bavmorda (Jean Marsh). Now, the only a single swordsman (Val Kilmer) at his side, Willow must overcome the forces of darkness that threaten to destroy anyone who stands in the Queen's way!

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Saturday, May 28, 2011

Blackout (2008) Review

Blackout (2008)
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Blackout turned out to be a solid movie experience. I popped it in my DVD player, expecting low budget type quality and painful acting. To my surprise, I was glued to the TV and found myself shedding a tear or two in some parts. If you are into Sci-Fi, this movie is an urban reminiscent of the Twilight Zone's Monsters Are Due on Maple Street. That's the most I can give you without completely giving away the plot.
To the reviewer who said that this movie was doing too much in too little time, I totally disagree. The acting was very engaging from the start, and very similar to the movie Crash in terms of numerous subplots with the characters. However, it was easy to follow and highly relatable, especially if you are a native New Yorker. Watch the movie!!

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In summer 2003, America experienced the largest blackout in its history--widely reported as peaceful. But in Brooklyn's forgotten East Flatbush neighborhood, mayhem unfolded when the power shut down. This is the untold story of the blackout--a place where, as night fell, looters emerged, violence surfaced and residents feared for their lives.

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Thursday, April 28, 2011

Tombstone (1993) Review

Tombstone (1993)
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Having already seen My Darling Clementine (1946) and The Gunfight at the OK Corral (1957) several times, I was curious to observe what director George Pan Cosmatos and his screenwriters would do with essentially the same material in this film. There are significant differences between and among them but suggesting comparisons and contrasts would be unfair to three different films which appeared over a 57-year period.
Now on to Tombstone. Director George Cosmatos worked with a large cast and all of the performances are first-rate. William Fraker's cinematography and Bruce Broughton's musical score are carefully integrated within the narrative and serve it well. My own opinion is that Val Kilmer (Doc Holliday) dominates each scene in which he appears. However, Kurt Russell (Wyatt Earp), Dana Delany (Josephine Marcos), Sam Elliot (Virgil Earp), and Powers Boothe (Curly Bill Brocius) hold their own.
As portrayed in the film, Tombstone (Arizona) is a western town in the last stages of being a community dominated by outlaws. The involvement of the Earps coincide with a growing local desire among residents to establish law and order. The eventual showdown at the OK Corral is a key event but by no means the only one. I was especially interested in how Cosmatos and Russell develop Wyatt Earp's character as he struggles to follow his conscience, establish some stability in his own life, and thereby complete a transition from gunfighter to private citizen.
Back to Kilmer for a moment. I do not recall a prior or subsequent film of his in which he reveals the comic timing, nuances of personality, and conflicting anxieties which he does while portraying Holliday in Tombstone. His is a masterful performance, maintaining an exquisite balance between playful humor and force of will. I recalled elements of that performance while recently observing Johnny Depp as Jack Sparrow in Pirates of the Caribbean. However, the Holliday character is revealed to have much greater depth and complexity than Sparrow's even as both characters demonstrate at every appropriate opportunity a unique flair for mimicry.
I do have a few minor quibbles. First, I think the pace of the plot lags unnecessarily at times. Also, the evolving relationship between Wyatt Earp and Josephine Marcos is not always in focus, even when allowing for a period of adjustment as they take each other's measure. Finally, I really don't understand the purpose of the final scene except to offer an alternative to the neat-and-tidy conclusion which so many other films offer. That said, I think that Cosmatos, his cast, and crew have created 135 minutes of generally entertaining, sometimes hilarious, and often thought-provoking material. Perhaps the more ambitious scale (e.g. timeframe and subplots) precludes the dramatic impact of its predecessors, My Darling Clementine and The Gunfight at the OK Corral. In any event, I enjoyed it.
Final point: I wish all other versions offered special features comparable with those provided by the Vista Series DVD. They include a commentary by Cosmatos, the 134 Director's Cut Edition, featurettes ("An Ensemble Cast," "Making An Authentic Western," and "The Gunfight At The O.K. Corral"), an interactive Tombstone storyline, The Tombstone Epitaph - Actual Newspaper Account, and Cosmatos' original storyboards for the O.K. Corral sequence.

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A sizzling, star-studded cast brings to life the legendary battle to deliver justice to TOMBSTONE! Kurt Russell (MIRACLE, VANILLA SKY) turns in a gripping performance as U.S. Marshall Wyatt Earp and Val Kilmer (THE MISSING, BATMAN FOREVER) ignites the screen as the outrageous Doc Holliday. Together, they team up to bring law to the lawless in a notorious showdown with the ruthless outlaws at the O.K. Corral! The all-star ensemble also includes Sam Elliott, Bill Paxton, Dana Delany, Jason Priestley, Michael Biehn, and long-time Hollywood favorite Charlton Heston. Get ready for an explosive, action-packed adventure the Wild West would never forget!

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