Showing posts with label fantasy movie. Show all posts
Showing posts with label fantasy movie. Show all posts

Wednesday, May 9, 2012

Legend (Ultimate Edition) (1986) Review

Legend (Ultimate Edition) (1986)
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LEGEND never really found an audience in theatres despite Ridley Scott and Universal's constant tinkering with the final cut. Seems many movies of this era were victims of audience test screenings, and the desire to give people a commercial product that went down easy -- see BRAZIL for a prime example of how studios think (the "love conquers all" version). So LEGEND was severely edited and rescored with a hasty (but often effective score by TANGERINE DREAM). It was short on plot and long on art direction, but sumptuous visuals and an all-out acting job by Tim Curry and make-up artist Rick Bottin made the movie an easy favorite of many fantasy fans. The movie looks stunning, and the story is a universal plunge into archetypes. Nothing wrong with that, it certainly worked for STAR WARS!
This DVD collection gives you two versions of LEGEND -- the original director's cut with over twenty minutes of added footage and the original Goldsmith score; and in addition, you get the original US release. In essence you get two different movies! The moods vary, the characters seem a little different, with whole new speeches and images to enjoy. If you are a fan of the movie or Ridley Scott it's a MUST-HAVE! This is what DVD dreams are made of. While many bemoan the fact BLADE RUNNER does not come with its 2 versions -- the fact is other than the narration and the happy ending, there is not MUCH different. But here we have a case where you can see what happens to a movie as it goes through development HELL. Fascinating stuff, and it comes LOADED with extras.
The only downside is the director's cut gets the royal treatment of a 5.1 sound mix while the other version gets a 2 channel Dolby mix, and even the video quality seems different with again the director's cut looking better than the theatrical release. But at last we can see a widescreen version of either cut, and we get a lot of extras that explain some of why the movie is the way it ended up. Beautiful images, two good soundtracks (I like both though the mood changes), and basically strong performances. LEGEND is a waking dream!

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Tom Cruise stars in this visually-stunning fantasy adventure in which pure good and evil battle to the death amidst spectacular surroundings. Set in a timeless mythical forest inhabited by fairies, goblins, unicorns and mortals, this fantastic story has Tom Cruise as a mystical forest dweller, chosen by fate to undertake a heroic quest. He must save a beautiful princess, Mia Sara, and defeat the demonic Lord of Darkness, Tim Curry, or the world will be plunged into a never-ending ice age. Co-starring Billy Barty and Alice Playten and directed by Ridley Scott, famed for his remarkable settings and unparalleled imagery, the incredibly realized fable is the stuff movie legends are made of.

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Wednesday, September 21, 2011

The Neverending Story (1984) Review

The Neverending Story (1984)
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In 1994, Wolfgang Petersen directed the film adaptation of the German novel "Die Unendliche Geschichte", which was written by Michael Ende (1929-1995). The film/novel is better known in the U.S. with its English title of "The Neverending Story". It was also the first film that Wolfgang Petersen filmed in English. The story begins with a troubled boy named Bastian (Barret Oliver), who is being raised by his father (Gerald McRaney). An avid reader with an active imagination, Bastian walks into a used bookstore owned by Mr. Koreander (Thomas Hill) and finds a mysterious book that captures his curiosity. Mr. Koreander seemingly doesn't want to sell the book to him, but Bastian manages to run from the store with book in hand. Bastian takes the book to school with him, where he is tormented by three bullies (Drum Garrett, Darryl Cooksey & Nicholas Gilbert). To avoid the bullies, Bastian finds refuge in a rarely-used attic within the school and begins to read from the book about a magical land called Fantasia. Fantasia is a wonderful place with many unusual characters and is ruled by the Childlike Princess (Tami Stronach), but something terrible is happening to Fantasia as parts of it are disappearing by an unknown force referred to only as "the nothing". The Childlike Princess calls upon the strongest warrior to find a human child to stop "the nothing". The warrior, a boy named Atreyu (Noah Hathaway) of a tribe similar to Native Americans, takes the protective signet that the Childlike Princess gives to him and sets off to find a human child, which can only be found beyond the bounds of Fantasia. To his astonishment, as Bastian reads the book and the many adventures, challenges and dangers and Atreyu faces, Bastian slowly begins to realize whom Atreyu and the Childlike Princess are actually seeking.
With imaginative characters, good cinematography & special effects and an endearing & well-written story, "The Neverending Story" is a wonderful and engaging film that not only captures Bastian's imagination in the story, but the audience's imagination as well. Other memorable characters in the film include Teeny Weeny (Deep Roy), Night Hob (Tilo Pruckner), Cairon (Moses Gunn), Engywook (Sydney Bromley), Urgl (Patricia Hayes), Falkor (voice of Alan Oppenheimer), Rock Biter, the Racing Snail and the Bat. Overall, I rate "The Neverending Story" with 5 out of 5 stars and very highly recommend it to both young & old alike. It's a wonderful film that can be watched time and again without becoming tiresome. Sadly, the film's two sequels (produced in 1990 & 1994) were far less memorable. Other films directed by Wolfgang Petersen include "Das Boot" (1981), "Enemy Mine" (1985), "The Perfect Storm" (2000) and "Troy" (2004).

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JOIN THE YOUNG ATREYU AND THE FAITH OF A YOUNG BOY, BASTIAN, AS THEY BATTLE THE UNKNOWN OF THE NOTHING TO SAVE THE CREATURES OF FANTASIA AND THEIR CHILDLIKE EMPRESS.

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Thursday, August 4, 2011

The 10th Kingdom (2000) Review

The 10th Kingdom (2000)
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Until the "Lord of the Rings" trilogy this movie was the most complex fantasy ever attempted. In some ways the story does ramble, but the intricate elements are woven together so coherently that they smoothly fit into the quest undertaken by the principal characters.
Virginia and Tony Lewis (Kimberly Williams and John Larroquette) live in a New York apartment. One day a dog enters Virginia's life. However, the dog is not just any ordinary dog, but Prince Wendell (Daniel Lapaine) changed into a dog by an evil Queen (Dianne Wiest). Soon trolls enter the story along with magic, and the story begins.
Virginia and Tony travel through a magic mirror into the land of the nine kingdoms (with New York being the 10th kingdom. It takes Virginia and Tony little time to realize that the world they have entered has very different rules from their own. Their goal is to find a mirror that will allow them to travel back to their own world, and the quest for the mirror forms the heart of the story.
Along the way both Virginia and Tony, but most especially Virginia, are on a voyage of discovery about themselves. Through a series of vignettes they learn the history of the nine kingdoms, and learn there are mysteries related to that history. One of the most startling revelations is that Virginia and Tony are somehow involved in the nine kingdoms, but it's not until we get well into the movie that we understand the nature of their involvement.
The plot is generally coherent and I had little trouble keeping track of the parallel stories. I admit that there were a few things that confused me when I watched the story in its original television debut, but my confusion was cleared up by watching the DVD version without the commercials and all in one 7+ hour sitting.
The acting talent in this movie is phenomenal. Rutger Hauer plays the Queen's woodsman, with his own poignant story. Warwick Davis is Acorn, a criminal with a tongue-in-cheek character. Ed O'Neil is perfect as Relish the Troll King. Scott Cohen as Wolf took a little getting used to, but once I realized how he fit into the story I enjoyed his antics and characterization. Camryn Manheim makes an interesting Snow White. Ann-Margret brings class to Queen Cinderella. This list is but a fraction of the cast possible by the epic nature of this movie.
The story is an adult fairy tale. There is violence in the movie as well as a number of intense scenes that are likely inappropriate for children below the age of 7 or 8. However, for everyone else this movie is fun and complicated. If you enjoy fantasy, and you can be open-minded about how fantasy is approached, this movie could be perfect for you.

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At the edge of the mortal world lies a mystical vortex which leads to the Nine Kingdoms a fantastic land where fairy tales are reinvented... and not with happily-ever-after results!An evil queen (Dianne Wiest) has just doomed Prince Wendell (Daniel Lapaine) to life as a dog.His quest to recapture the throne leads him through a portal to the mythical Tenth Kingdom... Central Park!With the help of ordinary mortals Virginia (Kimberly Williams) and Tony (John Larroquette) they battle evil in a parallel universe of vile trolls goblins and every fairy tale character imaginable.Stunning visual effects and a stellar cast include Scott Cohen Rutger Hauer Camryn Manheim and Ed O\'Neill dominates this epic adventure that will enchant audiences of all ages.System Requirements:Starring: Ann-Margret Scott Cohen Rutger Hauer John Larroquette Camryn Manheim and Ed O\'NeillDirected By: David Carson and Herbert WiseRunning Time: 417 minutes ColorPresented in "Standard" formatFormat: DVD MOVIE Genre:CHILDREN/FAMILY Rating:NR UPC:707729127185 Manufacturer No:12718

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Wednesday, June 22, 2011

Willow (Special Edition) (1988) Review

Willow (Special Edition) (1988)
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A great story about a Nelwyn named Willow (Warwick Davis) who finds a baby in the river. It turns out that this baby, named Elora Dannan, is part of a profecy that was said to destroy the evil Queen Bavmorda when the child grew older. Willow sets out on an adventure with a warrior named Madmartigan (Val Kilmer) to save the baby from being killed by the queen. Fairies, trolls, dragons and sorcerers magic bring this story to life by the talents of Industrial Light and Magic. My favorite scene is when all these fairies are flying around in the woods and the head fairy Shalindria gives Willow her wand and tells him to protect the baby and how important his quest is to the whole kingdom. The brownies are very funny too. One of them is played by Kevin Pollack. I highly recommend this movie for people that really like fantasy and adventure.

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From legendary filmmakers George Lucas and Ron Howard comes one of the most beloved fantasy tales of all time. This groundbreaking film features stunning special effects, dazzling action and a classic battle between good and evil. When young Willow Ufgood (Warwick Davis) finds an abandoned baby, he is suddenly thrust unto an adventure filled with magic and danger. According to an ancient prophecy, the sacred child is destined to end the reign of the evil sorceress Queen Bavmorda (Jean Marsh). Now, the only a single swordsman (Val Kilmer) at his side, Willow must overcome the forces of darkness that threaten to destroy anyone who stands in the Queen's way!

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Sunday, June 19, 2011

Labyrinth (1986) Review

Labyrinth (1986)
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In the early 80's Jim Henson created one of the most ambitious fantasy films ever: The Dark Crystal. It was a movie that had a completely realized world with its own creatures and flora... and it was performed entirely by puppets. Not the Muppet kind that Henson is famous for, mind you. These were serious creations that involved serious innovations in animatronics. While many loved the movie and it was critically acclaimed many others didn't "get it". There was no human interaction in the movie whatsoever and that put off people. Also the movie was serious with none of that Muppet mayhem Henson fans are so used to. That put off a few more people.
The next evolutionary step in Jim's grand scheme of fantasy puppetry was Labyrinth, and they filled in the gaps that The Dark Crystal left for those who couldn't (or wouldn't) "get" the concept of a fully realized fantasy setting that is outside of our own. How does he do it? Let me tell you...
Step One - Human actors. Labyrinth included the young, yet already talented Jennifer Connelly as their heroine and well-established musician and actor David Bowie as her nemesis. Now you get the fun of a complete puppet world while at the same time you have human characters that interact in that same environment. Thus giving the viewer a better connection to the puppet characters.
Step Two - Better puppets. The Dark Crystal is a masterpiece in of itself, however the technology used to animate the puppets was in its infancy and if you had to be picky about it you can pick away at the limitations of the puppets in that movie. With Labyrinth you get updated technology, which gives you puppets who can show emotions better. Case in point is the goblin Hoggle, who is the starring puppet. So much attention to detail went into his facial expressions that you can actually see the fear, disgust, anger, and joy in his eyes. Add to that other puppetry innovations and you have a world of cool puppets.
Step Three - Keep it fun. The Dark Crystal was a grandiose and serious film that included some funny moments now and then. Labyrinth is the opposite. Is a fun film where the characters meet up with unexpected and often times crazy situations. Makes this fantasy adventure feel more comical in the same way it would reading a fun bedtime story.
Step Four - Keep the original concept. Jim Henson did The Dark Crystal with the thought that he wanted to create a whole different world inhabited by beings and creatures portrayed entirely by puppets. Labyrinth is essentially the same thing, but done in a different way. Walking through the movie's namesake (the maze that leads to the goblin city) is definitely like being in another world that's both fascinating and fun. Much of what you see is visually impressive and essentially relish in the fact your eyes can play tricks on you. Brian Froud is again signed on as the conceptual designer and his work shines just as well in this iteration as it did with Dark Crystal.
Labyrinth also has the destinction of having songs specially written for the movie by David Bowie. Keep in mind this movie was in the 80's so what you get is 80's Bowie, and there are a couple scenes that flow more like music videos (or musical numbers) than standard scenes.
You might get the impression I am dogging on Dark Crystal in order to lift up Labyrinth. Can't be farther from the truth. However I do know the differences between the two films and how the other was made in response to the first. Labyrinth is the folk tale while Dark Crystal is the fantasy book. I believe both are fantastic movies.
The original DVD for Labyrinth was a good compilation right from the start, and was superseded with the Anniversary Edition having remastered visuals and a couple new featurettes. Now we have the movie on Blu-Ray, and boy I thought the Anniversay Edition looked good. I was worried when this movie went high definition that a lot of the original film grain was going to be lost in the digital cleaning that's popular with some companies with older films. Luckily what you end up with is the best looking picture to date. I'm not going to say this movie is presented in supersharp crystal clarity, but then again that would ruin it. The movie look as true to the original theatrical release as you can get. Details really pop out without looking antiseptic. Visually the Blu-Ray does breath new life into this classic. The extras are pretty much identical to what was offered on the Anniversary Edition with one exception. Here's what you get:
Documentary Making of the Labyrinth - Has interviews with actors, puppet performers and production staff including Jim Henson, Brian Henson, David Bowie (who gives us some insight on his character) and Jennifer Connelly as well as lots of details on design and production of the movie. This documentary is a gem for those of you want solid behind-the-scenes details and was in the original DVD and is included on the Anniversary Edition.
Journey Through the Labyrinth: Kingdom of Characters and The Quest for Golden City - These two featurettes from the Anniversary Edition include updated interviews with the cast and crew and never before seen footage from the Jim Henson archives. Kingdom of Characters focuses on... you guessed it... the main characters in the movie including conceptual design for the puppets (although Hoggle seems to be mostly left out, likely because there is so much of him in the original documentary) and background info on the actors. The Quest for the Golden City is mostly design details on the labyrinth, Goblin City and castle itself. These featurettes do well to fill in the gaps left by the original documentary. The extra footage is test footage of the puppets and such, with some production footage as well. I noticed some of the production footage was a rehash of what's on Making of the Labyrinth, but the crosstalk is few and far between.
The Storytellers Picture-in-Picture: This is the Blu-Ray exclusive featurette. When you turn it on while watching the movie occasionally a window pops up with an interview with one of the crew members speaking some interesting anecdote about the film. There isn't a whole lot of these that pop up in the movie, but when they do you get some rather interesting and entertaining production and behind the scenes information. Hearing about the casting call for the Helping Hands scene and the interview with Warwick Davis are alone worth checking out the feature.
Commentary by Brian Froud
You also get Dolby True HD Surround in English, French, Portugese with a Dolby Digigal Spanish track (how many movies have a Portugese dub?) with subtitles in all. Kind of strange they left out the Japanese audio that the Anniversary Edition had. I recall hearing improvements from the previous release's Dolby Digital 5.1 mix, but nothing groundbreaking.
Every release of Labyrinth has been impressive from the very first DVD, and with each new release it gets even better. So is it worth the double/triple dip? Well just like how the Anniversary Edition gave you a better picture with more extras the Blu-Ray ups the ante. I say if you want to enjoy this movie in the best way visually then yes. The new extras are nice, but to be honest as long as they original making of documentary is in there everything else will always come in second.
Labyrinth is a wonderful movie for all ages. The visuals will impress and the hijinks will entertain. If you are a Muppet fan this movie will be much more accessable than the Dark Crystal, and if you like The Storyteller then you have abolustely no choice but to get this (it's like a full length Storyteller movie sans John Hurt).

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LABYRINTH - DVD Movie

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Saturday, April 23, 2011

The Lord of the Rings: The Fellowship of the Ring (Widescreen Edition) (2001) Review

The Lord of the Rings: The Fellowship of the Ring (Widescreen Edition) (2001)
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A cinematic version of Tolkien's THE LORD OF THE RINGS ranks up with the hope that Lucas will indeed make another Star Wars Trilogy, and, I think I can safely say, this is one of the most anticipated films in the movie industry's long and checkered history. You would think it's movie paradise, considering Lucas has been in the midst of another Star Wars trilogy and LORD OF THE RINGS has finally got a cinema deal (live action!), but PHANTOM MENACE proved something of a disappointment (Mesa Jar Jar Binks!), and I think quite a few people will enter into the theatre with a certain amount of trepidation.
There's a reason for that. Three animated Tolkien films have been released with very problematic results. The 1978 Bakshi release is just embarrassing; the film is both incoherent and confusing.
Rankin & Bass's two movies are fine for little kids; those two films are Tolkien for Saturday Morning cartoons. They proved my introduction to Tolkien and for that I am thankful, but the movies still fail to capture the grandeur of Tolkien's imagination.
There are two things to consider here about a work of literature. Although all good literature has a polarization effect on its readers, this work has a gigantic legion of followers which are extremely dedicated to Tolkien's vision (I count myself a member of this camp). The other camp cannot figure out what the big fuss is about and why they should care about the novel.
Now, there's a reason why all this is relevant to the film: had Peter Jackson gone to far either way the film would have fallen apart. Appeal to much to the fan-base and you loose the general movie-goer. Appeal to much to the movie-goer, and you'll lose the fan-base.
So when the fan base learned of Peter Jackson's decision to film all three films at once, an unprecedented move in movie history, most of us really wanted it to be good but were just simply afraid. We've already been burnt. Would it be so bad that it would alienate both fan base and those who are just looking for a good movie?
Not only does Peter Jackson's film work, it's glorious, beautiful, has all the myth and grandeur of the book. Jackson, a Tolkien fanatic, could have gotten so involved with bringing out the extremely detailed world Tolkien gave us that the pacing would suffer or we'd lose patience with all these obscure details which would alienate the regular movie goer. Not only does he not alienate the general movie goer, but he entices the fan base so much they can't help but fall in love with his vision of Tolkien's world.
The only real flaw is how rushed first section of the movie is. Although I can understand cutting the Old Forest and Tom Bombadil, the way they handled getting the hobbits out of the Shire was unacceptable. There is not that sense of camaraderie between the Hobbits that there is in the book, there is no "conspiracy," and Merry and Pippin just join without any questioning from Sam and Frodo. While Jackson does a good job at building the Hobbits' characters and establishing their personalities, I couldn't come up with a good reason why Frodo and Sam would just let Merry and Pippin join them.
The Prancing Pony is worst. There is no questioning from the Hobbits about Aragorn proving himself, there is no scene about him asking them to trust him, and the whole sequence feels much too rushed. Sam only questions Aragorn while they're actually out of the inn and traveling.
Thankfully, however, that is the only real flaw. The rest of the things the script changed (tightening Elrond's council, the expansion of Arwen, cutting Sam from the Galadriel mirror sequence, tempting Aragorn with the ring, etc) I can see why they did it for dramatic tension. I also liked the way they handled Elrond's council, because that could have ruined the movie like it did with Bakshi's. They had established and covered much of the material in that chapter elsewhere by means of voice-over prologue and actually showing the viewer what is happening (especially with the Isengard sequences), and as a result lessened the screentime of that scene and helping with the dramatics of it.
As for the controversial expansion of Arwen, I tend to agree with the film makers in their decision to enlarge her role. By making her part of the Ford sequence it introduces the character and establishes her in the viewer's mind, and the relationship between Arwen and Aragorn is more fully explored. As for their romantic interlude in Rivendell, not only do I agree with that but think it should have been done in the book. Tolkien did not know who Strider was when he was first writing FELLOWSHIP, and did not go back and change the scenes to further explain the romance between Arwen and Aragorn, and by not including a scene in Rivendell to establish their love for one another lessens by far the impact of their union in Part III, and (for once) this romantic scene is actually an improvement on the book. As for her role in the Flight at the Ford, for the movie they made the right choice though the book is still preferable.
In achieving the balance between fan base and the more causal fan, this film is a spectacular success. Making a movie out of a book the size of Fellowship, the fact is you will have to condense, tighten, rearrange, and make changes for dramatic tensions. The mediums are different, and you cannot have a direct translation from a book to a film. Despite of what they cut, the movie still clocks in at three hours, which is very generous. The real problem with this film, as others noted, is it's going to be a full two years before we finally get to watch THE RETURN OF THE KING.
In the end, we get a movie that stays true to the SPIRIT of the book. This is what we Tolkien fans have long been waiting for. Thank you so much Peter Jackson and your cast and crew.

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Based on J.R.R. Tolkien's masterpiece, The Lord of the Rings: The Fellowship of the Ring is an epic adventure of good against evil, the power of friendship and individual courage. The saga centers around an unassuming Hobbit named Frodo Baggins who inherits a Ring that would give a dark and powerful lord the power to enslave the world. With a loyal fellowship of elves, dwarves, men and a wizard, Frodo embarks on a heroic quest to destroy the One Ring and pave the way for the emergence of mankind.DVD Features:3D Animated MenusDVD ROM Features:Exclusive online contentDocumentaries:3 in-depth programs that reveal the secrets behind the production of this epic adventure, including: -"Welcome to Middle-earth" in-store special as shown by Houghton Mifflin -"The Quest for the Ring" as debuted on the FBC Network -"A Passage to Middle-earth" as premiered on the SCI-FI ChannelFeaturette:15 featurettes originally created for lordoftherings.net, which explore the locales and cultures of Middle-earth and include interviews with cast members Elijah Wood, Ian McKellen, Viggo Mortensen, Liv Tyler and others. Exclusive 10-minute behind-the-scenes preview of the next The Lord of the Rings theatrical release, The Two Towers.Music Video:Enya "May It Be" music videoOther:An inside look at the Special Extended DVD Edition of The Lord of the Rings: The Fellowship of the Ring Preview of Electronic Arts' video game, The Two Towers Double Amaray PackagingTV SpotTheatrical Trailer:Original theatrical trailers


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