Showing posts with label heavy metal. Show all posts
Showing posts with label heavy metal. Show all posts

Saturday, April 20, 2013

Francais Pour Une Nuit (2009) (2009) Review

Francais Pour Une Nuit (2009)  (2009)
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Somebody mentioned previously that this Blu-Ray is $19.99 at the Metallica Store...but they also charge $15 for shipping! I was going to order this one and the Mexico City Blu-Ray through the official Metallica store, but they were going to TRY to charge me $18 for shipping.
I don't think so!
Total rip-off. Amazon must order their copies from Metallica themselves, which is why it costs so much here.
Any wonder why people would rather just download them via torrents?

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Import Blu-Ray/Region All pressing. Francais Pour Une Nuit is an electrifying full length live DVD. The 4 Horsemen of the Apocalypse -that is, James Hetfield, Lars Ulrich, Kirk Hammett and Robert Trujillo- ride into Nimes and make their entrance into the Coliseum, through the gladiator's tunnel, before performing an explosive set of Metallica music. Fans can also look forward to some exclusive backstage footage.Francais Pour Une Nuit is unique in that not only was it filmed in France, but ALL aspects of the project are French, other than the band themselves, of course! The concert was filmed, recorded, and edited with French camera and recording crews; the artwork was created by a French design team (including a one-of-a-kind special package); even credits are in French.The band took their mammoth 'World Magnetic' tour on the road last year, which broke the record for the biggest attendance at London's 02 Arena last September, and broke it again in March 2009. Metallica returned to the UK in August for a triumphant headline slot at the Sonisphere Festival.Including 2 hours of the show, 37 minute interview of the band, 5 videos from the audience/16 page booklet, Francais Pour Une Nuit i sthe ultimate Metallica live experience!

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Sunday, December 30, 2012

Slipknot - Disasterpieces (2002) Review

Slipknot - Disasterpieces (2002)
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I've been waiting for quite some time for a new Slipknot DVD to come out, and I was hoping it would be one that would show one of their live performances. Well, that day has come. Slipknot's "Disasterpieces" is for anybody who is a fan of Slipknot.
This live performance is more than satisfactory. The video and sound quality is really superb. It's almost like you're there live. The concert took place at the London Arena, which shows us just how crazy a London crowd can be at one of these shows. Along with seeing them perform their songs, you get to see the band prepare for the show as well. They play a lot of songs from the second album, as well as with the first one. Some of them you can count on seeing are "disasterpiece," "wait and bleed," "(sic)," "purity," "left behind," "my plague," and many, many more.
This 2 disk collection also features all of the band's videos, including a rare animated version of "wait and bleed," the bonus audio track "purity," and more.
They're a group either people love or hate, which is fine. They're not for everyone. They take their music to the extreme, always willing to take it to the limit. Some may consider their lyrics brutal and violent, but that's not Slipknot's message. Yes, believe it or not, they do have a message. And it's not "f- the world" or "everyone is garbage." Their message is that it's okay to have negative thoughts, just as long as you deal with them the right way. They deal with their demons through music. Slipknot's "Disasterpieces" is a must-have for any Slipknot fan.

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No Description AvailableNo Track Information AvailableMedia Type: DVDArtist: SLIPKNOTTitle: DISASTERPIECESStreet Release Date: 11/26/2002

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Saturday, November 24, 2012

Lamb of God - Killadelphia Review

Lamb of God - Killadelphia
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i suggest if you have ever seen or heard ANY lamb of god song and thought 'hrm, that sounds cool', then youg et this DVD.
the production is absolutely awesome, beautiful sound, awesome video, the extras are sweet as with backstage footage, behind the scenes filming footage, and lessons from each instrument playing member.
the musicianship of chris adler on drums, willie adler on guitar, mark morton on guitar, and john campbell on bass is truly amazing, the riffing rivals anything i've ever heard. this is RIFFING, not SOLOING, but it's so intense and they are so tight it's unreal.
GET THIS DVD, IF YOU HAVE ANY SLICE OF METAL BLOOD IN YOUR BODY.

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No Description AvailableNo Track Information AvailableMedia Type: DVDArtist: LAMB OF GODTitle: KILLADELPHIAStreet Release Date: 06/21/2005

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Friday, August 10, 2012

AC/DC - Family Jewels Review

AC/DC - Family Jewels
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AC/DC FAMILY JEWELS DVD - IN STORES MARCH 29th!
Seeing AC/DC on television has always been a rare occurance. After all, this was the band that tried to "blow up your video" during the height of MTV's late-'80's boom. Television appearances and promotional music videos have always been a necessary evil to this band of no-nonsense rockers. But when they did grace the airwaves it was like a bolt of lightning - their energy and spirit transforming a typically staged video into something magical and larger-than-life.
Here, for the first time, is the definitive history of AC/DC on video. DVD 1 starts with their breakthrough performance of "Baby Please Don't Go" on Australian television, through early promo clips, their rare turn on 70's mainstay The Midnight Special and ends with the Spanish television performance taped just ten days before singer Bon Scott's death. DVD 2 traces the classic 80's and 90's videos and includes - for the first time on DVD - the home video titles Fly On The Wall, Who Made Who and Clipped. Family Jewels is indeed a rare glimpse of this giant band on the small screen.
Tracklisting is as follows:
DVD 1
Baby Please Don't Go
Show Business
High Voltage
It's A Long Way To The Top (If You Wanna Rock 'N' Roll)
T.N.T.
Jailbreak
Dirty Deeds Done Dirt Cheap
Dog Eat Dog
Let There Be Rock
Rock 'N' Roll Damnation
Sin City
Riff Raff
Fling Thing/ Rocker
Whole Lotta Rosie
Shot Down In Flames
Walk All Over You
Touch Too Much
If You Want Blood (You've Got It)
Girls Got Rhythm
Highway To Hel
DVD 2
Hells Bells
Back In Black
What Do You Do For Money Honey
Rock And Roll Ain't Noise Polluction
Let's Get It Up
For Those About To Rock (We Salute You)
Flick Of The Switch
Nervous Shakedown
Fly On The Wall
Danger
Sink The Pink
Stand Up
Shake Your Foundations
Who Made Who
You Shook Me All Night Long
Heatseeker
That's The Way I Wanna Rock N Roll
Thunderstruck
Moneytalks
Are You Ready
Approx. running time 2 & 1/2 hours

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It’s always been quite rare to see AC/DC - unless you go to their concerts. Television appearances, and later music videos, have always been a necessary evil to this band of nononsense rockers. Consequently, only their early years were documented on television - mostly in Australia and Europe - and when the time came to switch to promotional video clips, the band always made their own and gave them the appearance of a live show. But they’ve also never wasted an opportunity to make a big statement with their clips. From singer Bon Scott dressing like a school girl (to Angus Young’s school boy) and smoking(!) on their first major television appearance, to the giant rocking spectacle of the "Big Gun" video (with guest appearance by Arnold Schwarzenegger), AC/DC has always been larger than life and their timeless brand of rock and roll has been as big on screen as it has off. Now for the first time Epic Records is proud to announce the first ever compilation of AC/DC videos from all parts of their storied career. Starting in 1975 on Australian TV’s Countdown show through the Spanish TV clips filmed just ten days before Bon Scott’s death - the first great era of the band is chronicled on Disc One. Disc Two starts with the promo videos for Back In Black (several never before available) and sees many of the 80’s and 90’s clips on DVD for the first time. This is truly a monumental collection of clips from one of the world’s greatest bands - all completely remastered for DVD with the same care as the Epic CD remasters and the Live At Donington DVD.

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Tuesday, June 26, 2012

Megadeth: Rust in Peace Live (2010) Review

Megadeth: Rust in Peace Live  (2010)
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First off, this was awesome!!!! I remember seeing these songs performed during the "Clash of the Titans" tour back in the 90s, and I'm glad Mustaine chose to do this album in its entirety. Not too many heavy metal albums rank next to this one, and I rank this album as one of the greatest of all time.
The musicianship is second to none. I would go so far as to say this is the best Megadeth lineup, as I think Shawn Drover is the best drummer Dave has played with in a long time (Gar Samuelson was probably the best). He is a solid drummer who can play the all the material. He has the chops and style. Chris Broderick is massive on the guitar. He really can move over that fret board and seems like a natural for all the parts. Personally I like to hear all the original solos played as they were originally written, but I don't mind when someone like Broderick adds his own flare because after hearing his work on "Endgame" I think to myself, "What would he have done with 'Rust In Peace?' Not dissing Marty, just giving respect to Chris.
I gave this 4 stars because of a few short comings. Take my following criticism more like suggestions for the future as I am really a diehard fan of Megadeth, and have been for decades (but I know Dave and Megadeth management will never see this review).
1) The vocals were overdubbed, and it is easy to see. My question is, "why?" Mix as you will, but let the true live experience come full force. The music sounded great, I'm sure the vocals sounded just as good. I have this problem with many live DVDs; don't funk with the mix so much.
2) Backstage footage was skimpy. This would have been a great opportunity to really go behind he scenes and see how the band sets up, check out the equipment, and do some solid up close interviews, especially with the other band members. Also, show some footage of the tour preparation rehearsals when the band was first playing all of "Rust In Peace" in a rehearsal studio (and when Ellefson just came back). The DVD creators could have even re-visted footage from "The Clash of the Titans," and do a retrospective kind of thing. That would have been awesome!! A nice biography would have been great, tracing the history of Megadeth up till now (something quick and creative). And last for this point, fan interviews. The screaming fans showed the energy and excitement, but do something more refined to really get the feel of the fans. Some of those fans came a long way. I would had loved to had heard their stories about Megadeth a bit more in depth. So much more could have been done, and it would have been worth the price hike. I felt the creativity with the DVD was lacking.
And 3) Again, with the bonus footage. I'm a bass player, and I love the drums, and the guitar work on "Rust In Peace" is genre breaking and defining, so why aren't there performance isolation angle options? This would have been great for the Blu-Ray DVD (as all this extra footage would need the space). Show the parts being played live, up close and personal. Dave Mustaine once said in an interview, where he was showcasing his signature Marshall stack, that the best way to learn a guitar part is to watch the actual musician play it (if you want to learn it note for note). This would have been a great opportunity for that to come true. But the bonus material really doesn't hold up to the what other bands produce. I think Megadeth could have taken a lesson from Dream Theater (actually Mike Portnoy) in this regard, and pack the DVD with every possible thing you could imagine, and sell the hell out of it. Mike Portnoy could have lent Shawn Drover his drumcam(s), so we could see his technique, etc. I would have like to see those drum parts, like on "5 Magics" and "Rust In Peace...Polaris." Again, the package could have been for the Blu-Ray only, or make it multiple DVDs, whatever, just give me more. I would have paid the price.
I'm obviously thinking with a fans mind, and maybe some of what I said could not have happened logistically or financially, but I think if minds and the powers that be had sat down and really thought out this process, and looked outside the box to give the fans the ultimate experience then more stuff could have been packed in to the DVD. In the end, the performance was awesome!!!! And for what the DVD offers, the price is right, but it could have been so much more.
Peace,
Fan from 'Back in the day'

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In March of 2010 Megadeth hit the road in celebration of the 20th anniversary of their classic 1990 album, Rust In Peace. The show was filmed on the last night of the tour at the legendary Hollywood Palladium, not far from where Megadeth was formed in 1983. The band played Rust In Peace in its entirety, including all-time classics Holy Wars...The Punishment Due and Hangar 18. The set list also featured several other fan favorites, including Trust, Symphony Of Destruction and Peace Sells.

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Thursday, June 21, 2012

Metallica - Some Kind of Monster (2004) Review

Metallica - Some Kind of Monster (2004)
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I went with four people to see this film. Two (myself included) were Metallica fans and the other two were not. The film opens like some sort of MTV expo piece with James Hetfield riding in his tricked out vintage roadster and Lars Ulrich laying on his couch with his Basquiat hanging on the wall. Not even five minutes go by and it shows the group, minus recently departed Jason Newsted, in therapy discussing their concern that they have about embarking on recording their first album in five years. Little did they know that it would take two years to make. What you get is a riveting, profound and at often times very funny documentary.
What I really applaud the band for is this: They bought the rights to the documentary so that they could have a say in the final cut. Instead of glossing over scenes that aired the dirty laundry of the band, which is what you would think they would do in a case like this, they let it all out.
And not in a counter-culture, rebellious, grandstanding kind of way either. It's sincere and thats what makes the film work.
James Hetfields door slamming, Lars' watery-eyed confrontations and Kirk unable to make declarative sentences does not put them in the best light, but it makes them real.
They confront their demons head-on with therapist Phil Towle and producer Bob Rock tow. Die hard fans might roll their eyes and laugh at prospect of the band in need of a shrink. Trust me, stick with it and don't let it scare you away from the theatre. Most of the time it is hilarious and at the bands expense. Lars Ulrichs father is a scream and when one of the toughest metal bands try to communicate with one another in their new found "therapy lingo" it comes across as comical and awkward as you might think. And yes, they talk about Cliff's death and the Napster ordeal as well. They also visit Jason Newsted and (bonus for fans) Dave Mustaine. My friend and I could pick out the Metallica fans from the documentary fans in the theatre when Dave popped up.
This movie is not solely for fans should not be missed no matter what your preference in music or your opinion of the band. Non-fans, as my other friends will attest, will enjoy this as well.
This year there has been great year for documentaries and this is one that should not be overlooked in the mix.

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Featuring the most successful heavy metal band of all time, METALLICA: SOME KIND OF MONSTER offers a revealing and exclusive behind-the-scenes look at the legendary band as they confront personal demons and their relationships with each other while recording their Grammy-winning album, St. Anger.

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Sunday, February 12, 2012

Heavy Metal (Collector's Edition) (1981) Review

Heavy Metal (Collector's Edition) (1981)
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I can't believe the number of negative reviews this movie has gotten! I bet these people don't like James Bond movies, either.
To fully appreciate Heavy Metal, one has to understand the era it came out in. At the time, most animation, at least what was seen in the US, was frequently of the "family entertainment" variety seen in Saturday morning cartoons and TV commercials. Apart from Ralph Bakshi, most animators were basically shackled by the need to present something that was "rated G". Heavy Metal took the exact opposite route. It was a liberating experience for the animators working on the film to be allowed to draw things they usually weren't allowed. And they got paid to do it, too!
After the opening Soft Landing sequence, we're introduced to the Loc-Nar, a glowing green orb responsible for all the evil that has plagued the universe (or at least, that which has plagued the human race). The various stories contained in the film are told by the Loc-Nar to a young girl, as examples of it's awesome power.
The stories include the film noir homage Harry Canyon, the male "wish fulfillment fantasy" of Den (which demonstrates the versatility of the late John Candy, who voices both Dan, the science nerd who gets transported into an alternate dimension by the Loc-Nar, as well as Den, the Conan/He-Man-esque beefcake that he is magically transformed into), the highly amusing Captain Sternn (trivia: the voice of the prosecutor is done by John Vernon, the actor who portrayed Dean Wormer in Animal House), the EC-esque B-17 (aka Gremlins, which went through so many script revisions, it's a miracle it got finished at all), the bizarrely hilarious So Beautiful And So Dangerous (ok, maybe there's some truth to the juvenilia charges during this segment, but only a corpse could keep from laughing at this piece), and revenge scenario of Taarna (imagine a tougher, sexier version of Xena, only about a decade and a half earlier).
While there IS some element of juvenilia here, it's no worse than any other movie that's been released by any major studio during the last 25 years. In fact, I bet it's a little more cerebral than most of those other movies. Harry Canyon is a rather crafted film noir homage, while some elements of Taarna are clearly patterned on Sergio Leone's spaghetti westerns. And while there are a couple sex scenes and a certain amount of excessive violince in Heavy Metal, again, it's nothing compared to some of the garbage that's shown on cable TV these days. I'd certainly rather watch this than Basic Instinct or No Way Out.
This movie is a classic piece of animation. Yeah, some of it's rough around the edges, but that has a lot to do with Columbia's decision to move up the deadline so they could have the original movie out in time for the summer 81 season. One has to consider the scope of the undertaking, and the relatively short time that was at hand to create it.
Look at the "travelling sequence" during Taarna, where she's shown riding her mount (a sort of large bird creature) over a rolling landscape, and consider that it was done WITHOUT the use of any kind of computer generated work. It's explained in the audio commentary on the rough cut of the film, as well as during the documentary how it was done, and why it didn't quite turn out as planned). No one had ever done anything like that, and it had to all be done by hand.
Really, you can't take this movie too seriously. It's a movie that exists soley to entertain. There's no big message or point to the movie. Just put the DVD in the player, turn out the lights, turn up the volume LOUD, and just enjoy the trip.
It should be noted, that this disc also contains some of the best bonus features I've seen on any DVD. Besides the regular movie, you get a full length "rough cut" of the film, consisting of storyboards, pencil tests, and some completed animation. The only audio for this rough cut (besides the optional audio commentary, by Carl Macek, who also does a completely different commentary for the finished movie) is the dialog. There's long stretches of silence, but it's worth watching, as there's lots of bits of dialog that were cut from the final movie (we learn, for instance, that Katharine, like Den, was also transformed when she was transported to this mysterious alternate universe). It's also interesting to note that the stories weren't always in the order that they were in the final movie.
There's also a half hour documentary with interviews from many of the filmmakers involved in making the film. We finally find out why we see a model of a house blowing up at the end (because they didn't have time to finish the animation for that one bit), and also why Cornelius Cole's Neverwhere Land was cut from the movie (either for reasons of length/continuity, or because Cole didn't finish it in time, depending on exactly which version of the story you wish to believe.
You also get a few minutes of deleted scenes, most notably the above mentioned Neverwhere Land, which was originally supposed to link Captain Sternn and B-17. There's also a few minutes that surround an early version of the framing story (in whence the Loc-Nar was actually the power source of a magical merry-go-round, and the various objects on the merry-go-round related in one way to the stories...ie, there's a taxicab, Taarna's mount, etc...each time the girl takes a ride in a different vehicle on the merry-go-round, she experiences a different story).
And finally, you get all Heavy Metal covers up through 1999, plus various bits of production drawings, cels, etc.
In short, this is a classic film that should be viewed by all fans of animation and/or heavy flicks. Prudes and conservatives who get cranky at the very thought of a movie being ruined by a little too much flesh or blood (and really, there isn't THAT much of either in this film) or a little warped humor (ok, there's PLENTY of that here) are advised to keep away. I just wish they had restored Neverwhere Land to it's original place between Captain Sternn and B-17.

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HEAVY METAL - DVD Movie

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Monday, November 14, 2011

Slipknot - (sic)nesses (DVD) (2010) Review

Slipknot - (sic)nesses (DVD) (2010)
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Seems to be alot of bashing about not being bluray. Consider the following. This concert was filmed at the 2009 Download Festival at Donnington Park which Slipknot headlined. The original footage was from a webcast of the festival. I would think that the footage intended for webcast would not exactly be of the HD/Bluray quality that everyone is demanding here. This concert was phenominal, you can see much of it on video sites on the web. I am glad I am going to be able to relive the concert on DVD, isn't that what we should be looking for here.

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Slipnot headlined the annual Download festival in the UK, performing in front of 80,000 fans. The film features one of the final major performances for founding member Paul Gray, who passed away in May 2010. Track listing:
742617000027
(sic)
Eyeless
Wait and Bleed
Get This
Before I Forget
Sulfur
The Blister Exists
Dead Memories
Left Behind
Disasterpiece
Vermilion
Everything Ends
Psychosocial
Duality
People=Shit
Surfacing
Spit it Out


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Saturday, July 9, 2011

Lemmy: 49% Motherf**ker, 51% Son Of A Bitch Review

Lemmy: 49% Motherf**ker, 51% Son Of A Bitch
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'Icon, noun: a very famous person or thing considered as representing a set of beliefs or a way of life.'
The dictionary definition above perfectly describes Lemmy. His single-minded tenacity in pursuit of the Motörhead cause has led to him becoming, rightfully, a heavy-metal icon. The only other rock stars who rival him as icons are dead ones. And they cheated. Lemmy, on the other hand, earned his iconic status the hard way: by living and staying true to himself at all times. He is a walking, talking, drinking, pill-swallowing, smoking, war-obsessed, bass-rumbling, gravel-throated monster. So that's Lemmy the man...what about Lemmy the movie?
I hoped this documentary would offer fresh insights into Lemmy the human being, perhaps exploring his softer side and showing facets of his personality that haven't been publicised. (What do you mean he doesn't have a soft side? We all have one...in some people, though, it's deeper down and better hidden.) Rush's 'Beyond the Lighted Stage' and Anvil's 'The Story of Anvil' are spellbinding due to the undiluted emotion they capture, which allows viewers to connect with the artists on a deeply emotional level. With Lemmy, however, displays of emotion don't happen. Some moments in the film approach poignancy, such as when Lem talks about finding the only woman he ever truly loved dead in a bathtub, the victim of a heroin overdose. He dishes out sage advice not to do heroin, but the viewer can sense that there are undercurrents of emotion beneath Lem's heavy-metal-robot shell. If I were the film-maker, I'd have explored that avenue more. During scenes where Lemmy and his son are together the awkwardness is palpable, as if neither father nor son is fully comfortable around the other. I felt uncomfortable watching some of these interplays, and found myself wishing they'd give each other a hug as an expression of love. There is one genuinely touching moment involving father and son, but I won't disclose it in this review, as that would ruin the surprise for those who haven't yet watched the movie. Better to experience it for yourself.
We see Lemmy's apartment, his enormous collection of war paraphernalia, his favourite haunt (The Rainbow in LA), his routine, and meet several other big-name metal musicians (Dave Grohl, James Hetfield, Lars Ulrich and Scott Ian, to name a few) who have been influenced by Mr Kilmister. The inventor of space rock, Hawkwind's Dave Brock (a surprisingly lucid man, considering the amount of psychedelic and hallucinatory drugs he has ingested), discusses Lemmy's time in Hawkwind and the reasons for their parting of ways. This isn't new information to seasoned Motörheadbangers, but the camera likes both Brock and Lemmy, and it's entertaining to hear these legendary stories straight from the horses' mouths.
The bottom line is that Lemmy - even though he doesn't bare the deepest, darkest parts of his soul - is magnetically watchable. The man, the facial hair, the boots, the tight-black-jeaned swagger, the perpetual cigarette, the Jack 'n' Coke, the Rickenbacker bass and, of course, that growl. If you're a longtime fan of Lem and his music you won't learn anything new watching this film. You won't see any gushed outpourings of emotion and tears. You will, however, be entertained.
As a footnote, I've been a Motörhead fan since I was in primary school. I own all their albums, have seen them live countless times, and was lucky enough to meet Lemmy backstage at Glasgow Barrowlands after a gig. He was a consummate gentleman, and I came to understand why people - even critics - generally have nothing bad to say about the man. What you see is what you get. There's no contrived rock 'n' roll debauchery. While he may keep his rawest emotions hidden behind a protective shell, Lemmy is friendly, honest, and walks it like he talks it. In short, he's one of the good guys.

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Motörhead singer and bassist Lemmy Kilmister has spent the better part of the past four decades as the living embodiment of the rock and roll lifestyle. Four years in the making, the critically acclaimed documentary 'Lemmy: 49% Motherf**ker, 51% Son Of A Bitch' gives fans an unprecedented and completely surprising look into his world. Directed by Greg Olliver and Wes Orshoski, the film reveals Lemmy as never before and has already taken critics by storm, premiering to raves earlier this year at SXSW and screening at film festivals worldwide.Boasting a star-studded lineup including Metallica, Dave Grohl, Ozzy Osbourne, Alice Cooper, Jarvis Cocker, Joan Jett, Billy Bob Thornton, Slash, pro wrestler Triple H, and members of The Clash, Guns N Roses, Jane's Addiction, and more, the film offers a rare and revealing look at Lemmy's life with candid at-home interviews, studio sessions, and priceless live concert footage. 'Lemmy rocks,' raves Variety, while Mojo calls the film 'an unflinching and deeply humanizing portrait of one of modern music s truly iconic figures.'The DVD, a-two disc set with 4 hours of bonus features, will be available on regular DVD and as a BluRay release. The American version of the film will include more bonus material than the versions in every other country in the world. The extras include outtakes from everyone from Dave Grohl and Metallica to Alice Cooper and Slash (as well as all the other famous musicians featured in the film).

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