Swing Vote (2008) Review

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(More customer reviews)If you enjoy 2 hours of Kevin Costner acting like a slob and 2 minutes (at the very end) of his heroic customary speeches in which his voice cracks down while defending his less fortunate fellow men, well, this is the movie for you. Personally I found this very similar to ARTHUR in which the prospect of watching the part of a stupid drunk for a long time gets more and more annoying. I also had a hard time buying his wholesome daughter and after watching her Mom and Dad it becomes impossible to understand how she could turn out that wonderful. The movie itself is all one clever idea with very mediocre dialogue, flat jokes and lacking any surprises.

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Kevin Costner stars in the hilarious timely comedy Swing Vote as Bud Johnson, an Average Joe, who is coasting through life with the help of Molly, his wise-beyond-her-years daughter. In a remarkable turn-of-events, the result of the presidential election comes down to his vote. Costner is joined by a brilliant all-star cast including Dennis Hopper, Kelsey Grammer, Nathan Lane, Stanley Tucci and George Lopez who will stop at nothing to win over the vote of the man who holds the fate of the free word.

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Fame (2009) Review

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(More customer reviews)I was excited to go see this movie, and really did not know what to expect.
This would have made a much better new TV series than a movie. I would love to see it fleshed out as a TV series and get some real developement in characters and plot.
Unfortuntely it fell into that unsasifactory category where you saw most of the best dancing\singing parts on the theatrical teasers so you are left with virtually no WOW factors sitting and watching it in the theatre.
I was expecting more dancing and singing in the movie as a whole, but found that aspect to be disappointingly skimpy, with few actual "full" musical numbers.
I do not think they fleshed out any defining plot and came across aimless. I do not think they developed any one set of characters enough to hook you into any of the many moments they crammed into one film. They also Cliched too much in this movie. The Characters, the "hardships" the hook-ups most of which felt forced to fit a formula for the movie, the struggles. No one character carried any full personality, they all seemed cliched and safe. Part of that I feel, is because they made it an ensemble cast but made that core ensemble too large to get any real screen time to feel attached to anyone.
I feel like there was soooooo much potential here that was just left undeveloped and instead I was shown an "outline" of what could be a great TV series.
At time I felt confused as to if they were trying to make it feel like the same time as the origional Fame instead of completely updating it to be a modern twist, but caught todays conviences and clothing style..
I LOVED who they picked to be teachers and wanted more from them.. I liked most of the young actors but don't feel like I got to really know any of their characters or felt that many of them actually grew from freshamn year to senior year.

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Fame soars even higher with the EXTENDED DANCE EDITION of the film, featuring over 15 minutes of thrilling dance footage you couldn't see in theaters! Passions will be tested. Hearts will be broken. Talent, dedication and hard work will triumph! Fame is the inspiring story of a group of dancers, singers, musicians and actors at the New York City High School of Performing Arts, and their spirited drive to live out their dreams of stardom. In an incredibly competitive atmosphere, each student must shine amidst the tumult of school work, deep friendships, budding romance and self-discovery. Debbie Allen, Charles S. Dutton, Kelsey Grammer, Megan Mullally and Bebe Neuwirth co-star along side a group of gifted young performers in This soaring reinvention of the Oscar®-Winning hit film*.
Audio: English: 5.1 Dolby Digital / Spanish & French: Dolby Surround
Language: Dubbed & Subtitled: English, French & Spanish
Theatrical Aspect Ratio: Widescreen: 2.35:1

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A Christmas Carol: The Musical (2004) Review

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(More customer reviews)If you were ever in New York around Christmas time from 1994 to it's tenth and final year in 2003 the number one show to see would have been Madison Square Garden's A CHRISTMAS CAROL presented first in 1994 with Walter Charles as Scrooge and in later years F. Murray Abraham and even Tim Curry! The stage adaptation was the most elaborate spectacle you could ever wish to see on-stage with magical sets, fantastic costumes and even an indoor snowfall! Realistically, there was no way to transfer this magic to the screen, but it was attempted anyway, and what we are left with is the charm of the material. Any musical based on a Charles Dickens novel is heading in the right direction from the start. Add to the equation the beautiful music of Alan Menken (Aladdin, Beauty and the Beast, Pocahontas and even Little Shop of Horrors!) and the perfectly poignant lyrics by Lyn Ahrens (Ragtime, Seussical, Once on this Island and A Man of No Importance) and the material is sure to stand up... and it does. However, that was in 1995.
In later years the authors continued to make rather bizarre changes to the score that, essentially were exceedingly inferior to their counterpart songs. The best example would be replacing the beautifully dark opening song "The Years are Passing By" from the original stage version with the totally lame "Jolly Good Time". This was apparently done in an effort to make the show less daunting for kids, but this is Charles Dickens and therefor in doing so you are destroying the very foundation of your source material. Some of the revisions, however, are very nice indeed like the inclusion of the new song "You Mean More to Me" which is just pure heaven. Unfortunately the script presented for this television version was the revised script from the later versions of the show and not the one from 1995. So the material does not hold up quite as strong. Thankfully, we have an all-star cast to pull the focus away from that and they succeed. Kelsey Grammer is a serviceable Scrooge and the ensemble of Broadway veterans lead us through a nightmare tale that will ultimately put you in the Christmas spirit, and that, if anything, could have been Dicken's intentions all along. If you can find it, definitely pick up the 1995 original cast recording of A CHRISTMAS CAROL, but for the visuals, this DVD will do just fine.

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Kelsey Grammer ("Frasier") brings Ebenezer Scrooge to life in this musical adaptation of Charles Dickens' classic tale. During a Christmas Eve dream that evolves into nightmarish proportions, embittered and miserly Scrooge is visited by three Christmas ghosts: Past Present and Future, who show him the life he has lived and the future consequences of that life.

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Animal Farm (1999) Review

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(More customer reviews)"Animal Farm" is based on the novel by George Orwell, which tells the short story of a popular revolution gone wrong. So when I (belatedly) learned that a movie had been made of it, I could barely wait to take a look at it. "After all," I figured, "even Hollywood can't ruin Orwell's Animal Farm!" I was mistaken.
The good aspects of the film can be summarized relatively quickly. Hearing Patrick Stewart yelling 'Revolution!' as a pig was curiously satisfying. As in Orwell's work, I enjoyed considering the parallels between the revolution on the farm and the Russian Revolution. And that about does it.
If I'm not careful, I could rant on for a goodly time regarding what I didn't like about the film. A brief opening criticism is the way in which the story has been... popularized? dumbed down? ruined?... with long sections of junk appropriate for preschoolers. Singing ducks and pathetic 'action' sequences do nothing to advance the plot and are simply tedious by any (adult) standard. For some reason, this film's producers apparently decided to make children their chief audience/target, even though the themes and messages of Orwell's work are in no way meant for children - even if they do involve a lot of cute animals. As a result, anybody old enough to understand "Animal Farm" will almost certainly be bored or insulted (probably both!) by this film.
But the most disgusting sin of the filmmakers was the way in which they completely demolished the story's message. As a libertarian socialist, Orwell wrote "Animal Farm" to warn against popular revolutions being hijacked by their self-proclaimed leaders. The Russian Revolution, in which the Bolsheviks set themselves up as a new ruling class after destroying the old Tsarist order illustrates the phenomenon - and also serves as a blueprint for "Animal Farm" (the book). The climax of the story comes when the animals watch their 'leaders' carousing with neighboring farmers (read: oppressive tyrants) and are unable to tell them apart.
This episode is included in the film, but is almost tossed off as the filmmakers rush to their happy ending in which the animals run off and hide in the woods for a few years, returning only after Napoleon's/Stalin's dictatorship has collapsed and new owners have taken possession of the farm. For some reason, this is treated as a wonderful event, even though the whole point of the Revolution was to get rid of the humans and set up an Animal Farm. The filmmakers stage a celebration when the logic of the book (and to some extent the movie up until that point) calls for a revolution! The philosophy of "Animal Farm" is transformed from libertarian socialist to bourgeois-apologist. The ultimate message is that dictatorship is great - as long as it's benevolent.
I can clearly hear Orwell spinning in his grave. Read the book, but avoid this film at all costs.

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