Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Sunday, December 9, 2012

Hung: The Complete First Season Review

Hung: The Complete First Season
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Hung started about the same time as True Blood season two. After the second episode I was hooked! The main character is a high school history teacher and basketball coach whose house burns down, children want to live with his ex-wife and he's broke broke broke. He meets up with a poet who he once (ahem) and together they hatch a harebrained scheme to pimp him and his ... out. Through this he has to deal with women he isn't attracted to but learns to love what's under the skin, crazy women who pay for him but not his "services" and the working in's and out's of women. Meanwhile his pimp, Tanya, is suffering as a failed poet and drowning in her own lack of love in her life. Bumps and bruises along the way but every episode bring laughter and smiles to my face (and my husbands!).
The characters learn and even though they get a lot more bad than good cards, they always grow. I'm very pleased with the direction this new series is going and sit in anticipation every Sunday night when my little red dot that indicates my DVR is recording blinks on. Hung is a lot more than I had anticipated and am tickled with the gem found under dirty gym socks and a slathering of sexual innuendo.

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At first glance, Ray Drecker seems like an ordinary divorced dad who’s facing tough times and trying to make ends meet. But Ray’s got one extraordinary, God-given gift – call it his “winning tool" – that sets him apart from other underpaid high-school teachers. With a little help from an unlikely business ally named Tanya, Ray is about to hatch an inspired plan to ride his winning tool all the way to a moreproductive, debt-free life.
DVD Features:Audio CommentaryFeaturetteOther


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Thursday, April 28, 2011

Bright Star (2009) Review

Bright Star (2009)
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Through brilliant, stunning visuals and intelligent, witty dialogue, Jane Campion's Bright Star celebrates the rapture of passionate love. Using many of the Romantic John Keats' own words--captured for posterity in his poems and love letters to Fanny Brawne, his `sweet Girl'--Campion has weaved together one of the most beautiful films I have ever seen.
Rich 19th-century fabrics and breathtaking English scenery make Bright Star a sensuous pleasure to experience. But these visuals merely reflect the beauty within, the soul of this film: the love affair of Miss Brawne and Mister Keats.
Brawne is passionate about and proud of her fashionable and daring needlework, as is Keats his aspiring albeit more fine-spun poetry, and both share an ardent love of life and a longing for someone with whom to experience it completely. Theirs is the inspiring true story of the rare uniting of equals--of two strong, independent, and intelligent individuals with unique talents and dreams yet deeply matching values and desires.
The emotional, intellectual, and subtly sensual affair between Brawne and Keats is captured wonderfully in Bright Star, owing in part to the portrayal and backdrop of those closest to the lovers in their own lives, such as Keats' coarse but caring friend Charles Brown and Brawne's warm mother and endearing siblings. The obtrusively vulgar Brown serves in stark contrast to the gentlemanly Keats, whose integrity and will Brown deeply admires but cannot quite live up to in his own life, while Brawne's loving family--woven seamlessly into the storyline through their presence in scenes of playfully benevolent games, strolls, and dinner-parties--serves as foil to the equally loving yet singularly feisty Brawne. Through the meaningful and often-tender dialogue and interactions between these vivid characters, Bright Star is able to match beauty of setting with that of soul, a rare feat in a film...as it is in life.
Now Bright Star has been attacked as sentimental by the modern, cynical skeptic, and if it were the hackneyed story of a princess and a pauper mindlessly frolicking to their "fairytale" ending, his criticism might merit a modicum of respect. But Bright Star is not a fairytale in that empty sense; for the fact is Keats died at the age of 25, and he and Brawne were anything but mindless. So unhappily for the cynic, his venom is ineffectual against this film; for in Bright Star, his normally insidious strain of attack finds its antidote: reality. Bright Star is a *true story* depicting the love affair of two exceptional souls who lived a life (however brief for Keats) of happiness *in this world*. In today's angst-ridden, often gloomy atmosphere of humility and despair--where so many either consciously diffuse or unwittingly (and tragically) breathe in the modern liberal claim of man's depravity (itself merely a mutation of the ancient Christian notion of Original Sin)--the little-known Bright Star shines through in rebellion with pride and exaltation, demanding its viewers resurrect the self-esteem and aspiration they once had as children, and should never have let die as adults.
Although Bright Star is deeply uplifting and truly benevolent, one must be prepared to leave its resplendent world tinged with a real sadness. But this sadness does not--it cannot--abide if one recalls Keats' own poetic words to Brawne (from an early love letter), which encapsulate the film's essence: passionate love for this wondrous world and one's `Bright Star' in it...
"...I almost wish we were butterflies and liv'd but three summer days--three such days with you I could fill with more delight than fifty common years could ever contain."

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From Jane Campion, Academy Award winner of The Piano, comes a sweeping love story that will carry you back through time to experience the passion and romance between acclaimed poet, John Keats and his beloved muse. London 1818: a secret love affair begins between 23 year old English poet, John Keats, and the girl next door Fanny Brawne, an outspoken student of high fashion. This unlikely pair began at odds, he thinking her a stylish minx, while she was unimpressed not only by his poetry but also by literature in general.

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Thursday, March 10, 2011

For Colored Girls (2011) Review

For Colored Girls (2011)
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I absolutely loved this movie. I titled my review "Multifaceted" because Black women are multifaceted like diamonds. They are beautiful and come in all colors, are strong and endure. Some may be a little rough around the edges at first but if or when that precious gem finally shines through they are awesome.
I also loved this movie because it didn't focus on one part of the Black female culture. It showed Black women who are successful, talented, trusting, naive, hopeful, bitter, religious, fanatic, loving, intelligent, insightful, wise, troubled and above all strong.
I truly hope that critics don't take the title literally and label it as just a movie about Black women. The issues that the characters faced concerned all women. Any woman, Black, White, Hispanic, etc. can see a little bit of themselves in at least one of the characters. I saw a little of myself in at least three.
Thank you Tyler Perry for bringing this wonderful story to the big screen.

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Janet Jackson, Thandie Newton, and Whoopi Goldberg head up an all-star cast in a vibrant world where friends and strangers dream, fear, cry, love, and laugh out loud in an attempt to find their true selves. Adapted by writer/director Tyler Perry from Ntozake Shange's acclaimed choreopoem, this gripping film paints an unforgettable portrait of what it means to be a woman of color in the modern world.

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